A Quote by Chunky Pandey

I always had a wicked streak in me, the sadist side in me also comes in my comedy films. — © Chunky Pandey
I always had a wicked streak in me, the sadist side in me also comes in my comedy films.
We have little bits of comedy throughout our films but this is like a full-on comedy. I had great time. It was fun to do a comedy and see a lot of the people I worked with on our previous films and meet some new actors. It was a good experience for me.
I had always drawn, every day as long as I had held a pencil, and just assumed everyone else had too…Art had saved me and helped me fit in…Art was always my saving grace…Comedy didn’t come until much later for me. I’ve always tried to combine the two things, art and comedy, and couldn’t make a choice between the two. It was always my ambition to make comedy with an art-school slant, and art that could be funny instead of po-faced.
I can do comedy, so people want me to do that, but the other side of comedy is depression. Deep, deep depression is the flip side of comedy. Casting agents don't realize it but in order to be funny you have to have that other side.
I had a father and mother, who were devout and feared God. Our Lord also helped me with His grace. All this would have been enough to make me good, if I had not been so wicked.
There is also something exciting about the risk. Somewhere in me is a sadist that likes pain, I guess.
I laugh a lot in horror films. If I'm scared in a horror film, I try to think about what's scaring me... particularly, if it's a bad movie, but something they're doing still works. It's the same way I look at comedy. I've always had an intellectual view of comedy, and what makes people laugh, and how does it work.
I was born a limited-government person. I've always had this streak going through me.
I've always been a comedy nerd, and 'Partners in Crime' was probably more influential for me than anything else because it was not only standup, but Robert Townsend had those short films.
The visualization of my films is always very important to me and I work very closely with my cinematographers. I've never had the same cinematographer twice now that I think about it. I don't know why that is. Everyone is always busy. They do three or four films a year. It's vital to me.
Soul of Christ, sanctify me. Body of Christ, save me. Blood of Christ, inebriate me. Water from the side of Christ, wash me. Passion of Christ, strengthen me. O good Jesus, hear me. Within Thy wounds hide me. Permit me not to be separated from Thee. From the wicked foe defend me. At the hour of my death call me. And bid me come to Thee. That with Thy saints I may praise Thee For ever and ever. Amen.
I probably prefer comedy. Why? I'm not sure. I feel like the energy of a comedy is a better fit for me. I try to be a happy guy! It seems that most of my life has the energy more for a comedy than for drama. I'm grateful to do both, but I would have to lean towards the comedy side of acting.
The other exception to the rule regards dealings with masochists. A masochist derives pleasure from being hurt; so denying the masochist his pleasure through-pain hurts him just as much as actual physical pain hurts the non masochist. The story of the truly cruel sadist illustrates this point: The masochist says to the sadist, "beat me." To which the merciless sadist replies, "NO!" If a person wants to be hurt and enjoys suffering, then there is no reason not to indulge him in his wont.
The films that have influenced me and the films that have motivated me and inspired me were films that resonated, films that made me think after I saw them.
Mrs. Spencer said it was wicked of me to talk like that, but I didn’t mean to be wicked. It’s so easy to be wicked without knowing it, isn’t it?
I always found the dramatic side of things easier than the comedy, because there's so many ways to do comedy, and it's also subjective. Someone might not laugh at what you do, whereas if you're going to do a dramatic scene, there's usually only one way you can do it.
The chances are you've never seen the other side of me. You've seen the event side of me when I'm on stage. But there is another side of me. If you evoke that side, you won't like it. It's a nasty side. You don't want to see that side. You're not missing anything by not seeing it.
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