A Quote by Cindy Gallop

When I give talks like the one I'm going to give at the Changing Advertising Summit, one of the points I often make to the audience is that I'm not one of those speakers who stands in front of the audience and pontificates - everything I talk about I'm actually doing myself. I'm living it.
Speakers find joy in public speaking when they realize that a speech is all about the audience, not the speaker. Most speakers are so caught up in their own concerns and so driven to cover certain points or get a certain message across that they can't be bothered to think in more than a perfunctory way about the audience. And the irony is, of course, that there is no hope of getting your message across if that's all the energy you put into the audience. So let go, and give the moment to the audience.
The cool thing about WWE is it's like entertainment boot camp. You're performing in front of a live audience, a different audience every night. You're doing promos in the ring. You're doing talking segments in the back. You're wrestling. You're performing. It's everything all rolled into one.
It is not the job of artists to give the audience what the audience want. If the audience knew what they needed, then they wouldn’t be the audience. They would be the artist. It is the job of artists to give the audience what they need
I'd like to give the audience what they've always wanted to see and also I want to give the audience what they've never seen. It's these two things I'm striving for.
If actors could actually make a living doing theater, that would be my first choice. Sitcoms are the closest thing to being onstage in front of an audience.
I feel the horror audience is a great audience, and I would ideally make a movie that would give them as much energy as they're willing to give to the picture.
That's like the really fun, exciting thing about wrestling. There's no such thing as perfecting this art. You're constantly growing and you're constantly progressing and changing up you're style and gauging an audience to make sure that audience is enjoying what you're doing.
Some actors - myself included - like to know where your character's going: you like to know what the arc is for the character so that you can plan where you're going to give beats for this, that, and the other and give the audience what they want. But on 'Homeland,' you do the opposite.
If actors could actually make a living doing theater, that would be my first choice. Sitcoms are the closest thing to being onstage in front of an audience. If I had to choose, it would be theater and doing the occasional movie once in a while, and spending time doing nothing.
Audiences - they like colour, you know. I can go out there wearing a red suit, man, and they'll say I'm out of sight ... I think they should be educated; you should always drop something on an audience ... When you get in front of an audience, you should try to give 'em something. After all, they're there looking at you like this. You can't go out and give 'em nothing.
Essentially, you know, one of the great advantages of working in science fiction is it does give you an opportunity to talk about interesting and somewhat controversial themes and social issues and in a way that doesn't really threaten the audience, because I'm not challenging their particular points of view.
How often we all have heard speakers begin by calling the attention of the audience to their lack of preparation or lack of ability. If you are not prepared, the audience will probably discover it without your assistance.
I always knew that if I was ever going to perform something that I wrote in front of an audience, I was going to do the thing I most like to experience as an audience member, which is to be tricked.
Which implies that the real issue in art is the audience's response. Now I claim that when I make things, I don't care about the audience's response, I'm making them for myself. But I'm making them for myself as audience, because I want to wake myself up.
What I love most about playing in front of people has something to do with a certain kind of energy exchange. The attention and appreciation of my audience feeds back into my playing. It really seems as if there is a true and equal give and take between performer and listener, making me aware of how much I depend on my audience. And since the audience is different every night, the music being played will differ too. Every space I performed in has its own magic and spirit.
I really feel like 'True Blood' is a big, giant slice of cake for the audience every week; it's offering people 60 minutes of sometimes thought-provoking entertainment. If you're gonna give an Emmy out, you should probably give it to the audience of 'True Blood.'
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