A Quote by Cindy Margolis

I was really stuck in the whole Farah Fawcett hairdo long after it was past being in fashion. — © Cindy Margolis
I was really stuck in the whole Farah Fawcett hairdo long after it was past being in fashion.
I've worked with Farah Khan who is a competent woman director, and Farah and I had a great professional equation and we are still best of friends.
I think fashion is actually very good training for being in the tech world, because it's all about moving on to the next thing, looking for the next thing, not getting stuck in the past.
My grandmother wore a beehive hairdo even when it was out of fashion.
As a model, I really stand for not being a model, if that makes sense. When I started, the whole idea of the model was very different; it was a bit stuck-up. Not stuck-up, but no one was trying to have fun, or not even have fun, but be willing to smile.
The ego is as you think of yourself. You in relation to all the commitments of your life, as you understand them. The self is the whole range of possibilities that you've never even thought of. And you're stuck with you're past when you're stuck with the ego. Because if all you know about yourself is what you found out about yourself, well, that already happened. The self is a whole field of potentialities to come through.
After I got into the industry, I got into fashion because before that, I wasn't really into fashion because I couldn't really afford anything. After, I got into this industry, and then I could start to afford them. I started to get into more of the high-fashion stuff.
I stayed really physical during my pregnancy. I stuck to my normal pre-pregnancy workout, minus the stomach exercises and twisting. I really felt it helped my whole well-being.
Yes, I'm a fan, and 'The Lost City of Z' has been my inspiration. Percy Fawcett was one of my heroes, and I loved the book and the film. I was lost in the same area that Fawcett had explored, and I can identify with his sense of passion and obsession, and I definitely see the romance in searching for lost treasure.
Fashion postulates an achrony, a time which does not exist; here the past is shameful and the present is constantly "eaten up" by the Fashion being heralded.
I was nineteen and I put a bowl on and I said, Cut around! Because it was not the fashion at the time when I did that hairdo - and I kept it all my life!
The past is the past, but if you're overanalyzing or trying to repeat it, you're gonna get stuck. I just had a wonderful youth, and I loved everything about it, so I really try and hang on to it.
Fashion in the past meant conforming and losing oneself. Fashion in the present means being individual and finding oneself.
It took me a really long time to get past all of that internalized dissociation with being female that I was being given by media.
It's too easy, you see, to get trapped in the past. The past is very seductive. People always talk about the mists of time, you know, but really it's the present that's in a mist, uncertain. The past is quite clear, and warm, and comforting. That's why people often get stuck there.
I stuck around in Hollywood for too long. I was there a long time, and when I left, I was smart enough to realise that what I was leaving was not just the movie business. I wanted to get rid of the whole atmosphere.
I think I've been wishing for celebrity for so long that I've got used to being someone who's petitioning the establishment for acceptance... my whole schtick, my whole identity, is so wrapped up in being a petitioner that I don't really know how to react now that petition has been granted.
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