A Quote by Claire Denis
What I don't like so much is to give explanations about people's behaviour... I'm not interested in making conclusions. I would never think about myself or anyone else, 'Well, this happened, this happened, this happened, so this must be the result.' It doesn't work like that with me.
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Had the Holocaust happened in Tahiti or the Congo, as it has; had it happened in South America, as it has; had it happened in the West Indies, as it has - you must remember that within fifty years of Columbus's arrival, only the bones remained of the people called the Arawaks, with one or two of them in Spain as specimens. Had the Holocaust committed under the Nazis happened somewhere else, we wouldn't be talking about it the way we talk about it.
I think it will bring back discussion about Columbine. When Columbine happened it was the topic of the week, and we shouldn't have just moved on to something else. Whether people like the film or not, it's going to make them think about what happened.
People are going to say, ‘Well, it’s not very truthful.’ But a songwriter doesn’t care about what’s truthful. What he cares about is what should’ve happened, what could’ve happened. That’s its own kind of truth. It’s like people who read Shakespeare plays, but they never see a Shakespeare play. I think they just use his name.
Stop and think of what happened in America. The melting pot, yeah, it happened. Stop and think of what happened, from the first days of the founding. You have to go back to the Pilgrims. You have to include the Pilgrims in the founding. Why they came. What they learned on the way. What they learned after they got here. The Pilgrims, like everybody else, tried to establish a socialist collective. Bombed out. Didn't work. We know this, the governor wrote about it himself, William Bradford.
Seriously, I am not a person that I think much about what happened or what didn't happen or what could happen. I happy about the things that happened to me. I'm a lucky person, for sure, for all the things that happened to me during my life.
People have asked me, 'Is it about Apple or is it about Jobs?' and I say it's about how a man becomes his company and the company becomes the man. That has only happened a few times, like it happened with Ford, I think, they became inextricably linked together.
I always try to write about something that's actually happened or it doesn't always have to have happened to me, but it has to have happened at some point. So every single lyric that you hear comes from some kind of story that I've come across in my life. I like to think that that maybe helps me mean it a bit more and if you don't mean it, it ceases to be soul music.
The Holocaust would never have happened if black people lived in Germany in the 1930s and 40s … well, it wouldn't have happened to Jews.
My writing is a product of how I would interact with things that have happened to me or things that have not happened to me but have happened to somebody else.
I have never really thought of myself as a writer about religion. And I think one of the things that happened to me as a result of all that is that I think it did for some people, many people, obscure the kind of writer that I actually am.
His mind worked fast, flying in emergency supplies of common sense, as human minds do, to construct a huge anchor in sanity and prove that what happened hadn't really happened and, if it had happened, hadn't happened much.
I don't like talking about myself; I like to let the music be the spokesperson for me. So doing a memoir and all that chronological 'and then this happened and then blah blah' doesn't appeal to me that much. I think there's more mystique in what you don't know about.
What happened to fantasy for me is what also happened to rock and roll. It found a common denominator for making maximum money. As a result, it lost its tensions, its anger, its edginess and turned into one big cup of cocoa.
Most of the really good songs are dead true. ... It had to have happened to have the song be there. Every time I've tried to make stuff up it just kind of falls flat. So the majority of my work is something that happened to me, I saw happen to someone else, or a friend of mine told me happened. There is a certain amount of theatrical and poetic license. People are supposed to like it, that's why you're doing it. It's supposed to be fun. It's not brain surgery, it's heart surgery. They're just songs.
The thing that seemed to me so important about the psychedelic experience was that it happened to me. I wasn't reading John Chrysostom or Meister Eckhart. And so I assumed that I am a very ordinary person, therefore, if it happened to me it could happen to anyone.
I mean the interesting thing I think would be if something happened like, what happened in England where all these kids that all of a sudden can't afford the ticket prices.
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