A Quote by Claire Denis

When making a film, if I feel nothing in my body, I can't work. I have to touch. I have to feel. I never stop touching. — © Claire Denis
When making a film, if I feel nothing in my body, I can't work. I have to touch. I have to feel. I never stop touching.
I feel the sexiest when I'm on stage with the Dolls because I feel like nothing can touch me. Although I want to touch everyone in some way.
It wasn't really touching to be young; it was touching not to be young, because you had less of life left. Touching to be thirty; more touching to be forty; tragic to be fifty; and heartbreaking to be sixty. As to seventy, as to eighty, one would feel as one did during the last dance of a ball, tired but fey in the paling dawn, desperately making the most of each bar of music before one went home to bed.
When I work I feel more alive than under any other circumstances. There's not an 'I love you' in the world that can match it. I feel safe, excited, at peace, erotic, centered. Nothing can touch me.
You have an incredible body." He reaches out to touch my stomach. I feel no pleasure in his compliment or his touch, only impatience. This is the only feeling. I feel like the paper on which my mood chart is printed.
Some people fall in love with their co-stars and feel things that they never thought they would feel for them because they are touching.
We are a feelingless people. If we could really feel, the pain would be so great that we would stop all the suffering. If we could feel that one person every six seconds dies of starvation ... we would stop it. ... If we could really feel it in the bowels, the groin, in the throat, in the breast, we would go into the streets and stop the war, stop slavery, stop the prisons, stop the killing, stop destruction.
A lot of the reasons that I'm resistant to making films in the U.S. have nothing to do with not doing a film in Hollywood, but rather to do with what I'm committed to working on in the U.K. I feel very committed to the British film industry and infrastructure.
I just feel like it's so amazing every few years when I'm not making a film to act and basically go back to film school and just watch other filmmakers work and try to be a part of somebody else's vision. So I feel like you do use two very different parts of your brain, and it's great to be able to jump back and forth.
At times your entire body tingles with ecstasy as you feel the waves of psychic energy that emanate from the master's aura touching your own body.
This very deep, soothing voice came on, saying: "You now have permission to be strong and healthy and calm and relaxed. There's no place else to go. There's nothing else to do." I could feel it in every cell of my body, and I immediately realized, there's something here. I could feel my heart rate slow down. I could feel stress melting out of my body.
When the audience appreciates your film, that's the happiest feeling for an actor because at the end of the day, you are making a film for them. When they like it and appreciate it, you feel your work is done.
If you try to look But you don't touch Then you won't touch But you'll never feel And if you don't feel You'll never cry And if you don't cry Then you'll never heal.
I just feel like I aint never did nothing foul in the game. My ghetto report card has always been straight A's across the board. So I said let me go ahead and name this "My Ghetto Report Card," and I'm touching down on all 4 angles of the game you smell me? I'm touching it from all basis. The album aint banana's, it's coconuts.
There is relationship between sight and touch, something about eyes being able to see through the fingers touching the clay, about fingers being able to feel what the eyes are seeing without the fingers actually touching it.
I'm lying in my bed, blanket is warm, this body will never keep me safe from harm. I still feel your hair, black ribbons of coal. Touch my skin to keep me whole. If only you'd come back to me. To feel you at my side, wouldn't need no Mojo Pin to keep me satisfied.
I’ve worked with volunteers before,” he began. “It’s important not to… not to treat them like servants. We may feel that they are laboring to obtain a heavenly reward, and should therefore work harder than they would for money; but they don’t necessarily take that attitude. They feel they’re working for nothing, and doing a great kindness to us thereby; and if we seem ungrateful they will work slowly and make mistakes. It will be best to rule them with a light touch.
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