It is often said it is no matter what a man believes if he is only sincere. This is true of all minor truths, and false of all truths whose nature it is to fashion a man's life. It will make no difference in a man's harvest whether he thinks turnips have more saccharine matter than potatoes--whether corn is better than wheat. But let the man sincerely believe that seed planted without ploughing is as good as with, that January is as favorable for seed sowing as April, and that cockle seed will produce as good a harvest as wheat, and will it make no difference?
If we make films only for the frontbenchers, we can't make money. Hence, we have to make it for a majority audience. As my films are mass films, I deal with emotions in raw form - they are not subtle. I don't mind being branded. That does not mean I like only those kinds of films.
In harvest time, harvest folk, servants and all
Should make, all together, good cheer in the hall
Once ended the harvest, let none be beguiled
Please such as did help thee, man, woman and child.
Reason clears and plants the wilderness of the imagination to harvest the wheat of art.
If I am worth anything later, I am worth something now. For wheat is wheat, even if people think it is a grass in the beginning.
I am a communist and my painting is a communist painting. But if I were a shoemaker, Royalist or Communist or anything else, I would not necessarily hammer my shoes in any special way to show my politics.
There would be no advantage to be gained by sowing a field of wheat if the harvest did not return more than was sown.
The wheat bought by a farmer to sow is comparatively a fixed capital to the wheat purchased by a baker to make into loaves.
I am a filmmaker. My job is to make films. When something excites you - a story or characterisation - you immediately forget about everything else. You only think how to make a movie out of it. The economics come only later. You shouldn't let money dictate the kind of films you should make.
As an artist, I am here to get involved in meaningful films. But that does not mean only films like 'Arabikkadha' should be made. If you give an overdose of such films, the subject will become jaded.
If when you say 'whiskey' you mean the devil's brew, the poison scourge, the bloody monster that defiles innocence, dethrones reason... then I am certainly against it. But, if when you say 'whiskey' you mean the oil of conversation, the philosophic wine... the drink that enables a man to magnify his joy... then I am certainly for it. This is my stand. I will not retreat from it. I will not compromise.
Wheat Thins? Call me when they're Wheat THICKS! Gimme that wheat!
I think of horror films as art, as films of confrontation. Films that make you confront aspects of your own life that are difficult to face. Just because you're making a horror film doesn't mean you can't make an artful film.
I am not a communist first and an individualist second. I am an individualist first, and I don't mean this in the shallow, purely egotistical sense of self-interest and everyone else be damned. I mean this in the true sense of enlightenment, recovery of personality, and the full development of personality.
I am a Communist, a convinced Communist! For some that may be a fantasy. But to me it is my main goal.
'Raiders of the Lost Ark' made me want to make films. I am wild about the films of John Carpenter, Ridley Scott, Howard Hawks and Sam Peckinpah.