A Quote by Claudette Colvin

Back then, as a teenager, I kept thinking, Why don't the adult around here just say something? Say it so they know we don't accept segregation? I knew then and I know now that, when it comes to justice, there is no easy way to get it. You can't sugarcoat it. You have to take a stand and say, 'This is not right.' And I did.
Back then, as a teenager, I kept thinking, why don't the adults around here just say something? Say it so they know we don't accept segregation? I knew then and I know now that, when it comes to justice, there's no easy way to get it. You can't sugarcoat it. You have to take a stand and say, 'This is not right.'
Even in the ambulance ride I was trying to say something, trying to say, like, 'I knew who did it, I knew what went on.' And then I think they were kind of thrown back by that. They were like, 'What? You know what went on? You know what happened?' And I was like, 'Yeah, I saw the guy.'
Why don't you be together with me? If you can't say it out now, then you just answer by selecting... 1st, if you say YES, we will get married right away 2nd, if you say NO, I will use every possible way to make you say YES and get married right away 3rd, if you say you need time to consider, I will give you one day to think over it and then get married So you just choose, is it YES or NO? No, it's either 1st, 2nd or 3rd. Marry or not marry?
I knew then and I know now, when it comes to justice, there is no easy way to get it.
Do it. Before they send those mutts back or something. I don't want to die like Cato," he says. “Then you shoot me," I say furiously, shoving the weapons back at him. "You shoot me and go home and live with it!" And as I say it, I know death right here, right now would be the easier of the two.
You can't have a director say, "Just be you"; you have to have an aim. It's like when you throw darts, you have to know where the bullseye is. You can't just say, "No no no no no, drop the darts. Just stand. We're going to film you." You have to get there indirectly. You have to have me doing something, and then you can get "me."
I don't know what to say to people. It's become so big. It's become part of the cultural environment. For the first and second Twiglight, I knew exactly what to say to people. If you don't know what the story is by now, then you've probably never been to the cinema before. How about, "Why not go to the cinema for once?" I don't know.
You know how sometimes you're talking to people who love you and give you unconditional love, and you say, "But you know what? Let me back up. I forgot to say . . ."You can do that, right? You don't hesitate and say, "Oh my God! I forgot to say that!". You just speak! And you say it all, until you have nothing more to say. And that's your first draft. It's done.
One thing I've learned in my career is that you don't have to answer people right away. I've learned how to say, "Can I get back to you about that?" Now I've given myself time to really assess what you asked me to do or what the situation is, think about it, then come up with a plan. Then by doing that, when I come back to you, it's not what I say it's how I say it.
You know it's easy to say you shouldn't do something and then something happens and you say, 'Wow, I wish I would have done something.
You know it's easy to say you shouldn't do something and then something happens and you say, 'Wow, I wish I would have done something.'
Very commonly I get queries. Somebody saw something of mine on YouTube and of course if there is a talk on YouTube, there aren't any footnotes - and they want to know why did you say this. Well if they bothered to look up something in print, they would've seen why I said that. If they ask for evidence, I just say well take a look and mention something they can read and that usually ends the conversation.
Now, you see, if you understand what I'm saying, with your intelligence, and then take the next step and say "But I understood it now, but I didn't feel it." Then, next I raise the question: Why do you want to feel it? You say: "I want something more", because that's again that spiritual greed. And you could only say that because you didn't understand it.
People who know me know that I'm not going to open my mouth and say something if I don't mean it. I'm very short and sweet. I'm old-school when it comes to it: I say what I mean and mean what I say, and then get off of it. It's simple as that.
I started composing when I was around 13, and back then, people used to say that I needed to be a composer or a performer, but I can't be good at both of them. I could never understand why anyone would say that. Jellyroll did both, Bessie Smith did both, and so did I.
It's craziness to see yourself as damaged goods, so I was the goofy kid who'd stop a strange adult and say, 'Do you know how to get to Palm Avenue?' They'd say no, and I'd say, 'You go two blocks and turn right. You can't miss it.'
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