A Quote by Claudia Black

There's something very sinister about a woman who is predatory but has an absurd voice working as a disservice to her. — © Claudia Black
There's something very sinister about a woman who is predatory but has an absurd voice working as a disservice to her.
I've always been about the power of a woman - accentuating the positive, deleting the negative, whether you're talking her body, her voice or her leadership.
Don't tell me about heaven. What about in this life, that there is a better way, that this is not in vain, that it is not Edward Albee or Camus's absurd, the theater of the absurd, it is not Shakespeare - "full of sound and fury, signifying nothing" - that life has meaning and that God is still in control, and that God can, and God will, so people of goodwill, working hard, do something about the situation? We can change.
You have to be kind of alerted to the fact that clowns are scary and then you can't look at them the same way again. There's something very sinister about them... There's something very tragic about them as well. The last thing they are is funny.
It has nothing to do with [Renee] being a female or not, it has to do with her being the right person for the job. She’s got a great voice that cuts through the clutter. She is very knowledgeable about WWE, about its history, about the talent and she is really willing to step up and do her homework. I think you’re going to see her grow. You’re going to see her jump on this challenge to become a regular fixture and a regular voice and, hopefully, maybe one day the voice of WWE.
There were people who would complain about their jobs, and my mother would walk away from that job. I liked that a lot about her. She was a very, very creative woman, and eventually, she stopped working outside the house, and she just had her own customers whom she made clothes for.
It meant something to me – the idea of a coat guarding and hiding a woman’s body. For me, a woman who is absorbed in her work, who does not care about gaining one’s favor, strong yet subtle at the same time, is essentially more seductive. The more she hides and abandons her femininity, the more it emerges from the very heart of her existence.
Today the predatory state, or the predatory group of states, with power of total destruction, is no more to be tolerated than the predatory individual.
The wealth of the country, its capital, its credit, must be saved from the predatory poor as well as the predatory rich, but above all from the predatory politician.
Not infrequently, when a man asks a woman to marry him, he means that he wants her to help him love himself, and if, blinded by her own feeling, she takes him for her captain, her pleasure craft becomes a pirate ship, the colours change to a black flag with a sinister sign, and her inevitable destiny is the coral reef.
Sharing the cover with Irina means a lot. Irina is the most beautiful woman in the world and working with her was a surprise and something very special. It was the first time we did something together. And I enjoyed it.
There's something to be said about just being vulnerable. Every woman has gone through something in her life that has been an image issue, or it has been something where somebody told her she's not good enough. And every woman can relate to that.
I myself used to do absurd things. Yes, I mean that. I had to have a laugh, and some of the things were absurd. But they could always be worn by an elegant woman; they did not negate her elegance.
It is not the intelligent woman v. the ignorant woman; nor the white woman v. the black, the brown, and the red, it is not even the cause of woman v. man. Nay, tis woman's strongest vindication for speaking that the world needs to hear her voice.
The perfect woman, you see [is] a working-woman; not an idler; not a fine lady; but one who [uses] her hands and her head and her heart for the good of others.
Voice work is fun. But about three-quarters of the things you enjoy about acting are just not there. You're not working with another actor; you're not working with an audience. You're just working with a bunch of writers and a microphone. It's very abstract.
Director Park always talked to me about her in a very innocent way, that the story was of her coming of age and her sexual awakening and her going from girl to woman and that she had the same desires and hopes as other young people in terms of being very infatuated, which comes in the form of her uncle, which is very unconventional.
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