A Quote by Claudia Schiffer

I've met women who have way better bodies in their 40s because they've been working on them for all these years. — © Claudia Schiffer
I've met women who have way better bodies in their 40s because they've been working on them for all these years.
Working on women and working on different ages and different shapes of bodies? I love women. I love to spend more time with them.
Working in a store and being a shop assistant, if you don't know what to do and you like fashion, I think it's a great way of getting into the business because you do windows, cleaning, and everything. That was my school for two years, working in a shop, and that's how I met people in magazines and designers.
[I want to] refuting the whole idea that there is only one way to look; that women have to be so skinny to look good; that they have to be 12 years old and wearing clothes that only women in their 30s and 40s can afford.
What I learned was there's no roles for women who won't be in their 40s. For women who will be in their 40s, there's a ton of work.
When working at Women's Aid, I met countless women whose families had not believed them when they spoke of their abuse at the hands of another loved one.
You know what it's like. Sometimes, you meet a wonderful person, but it's only for a brief instant. Maybe on vacation or on a train or maybe even in a bus line. And they touch your life for a moment, but in a special way. And instead of mourning because they can't be with you for longer, or because you don't get the chance to know them better, isn't it better to be glad that you met them at all?
I love women. I love their hearts. There are a lot of women who are suffering. A lot of women who have been disappointed, have been let down. One thing I'd like women to know is the message: Hold on. Hold on. Be faithful to your kids. Hold on for the future because life doesn't always necessarily stay the way that it is. It will get better.
Since I was 9 years old, I have been working, hustling to find my own projects - from telenovelas to record deals, etc. etc. Way before I met my husband.
I don't just want my books to be about the '30s and '40s. I want them to read as if they had been written then. I think of them as '40s novels, written in the conservative narrative past.
I've been working with them for a couple years and a couple of projects. Essentially Robert F. Kennedy Jr., is the chief litigator for this corporation, this Alliance, and their job is to prosecute corporate polluters of the great bodies of water in North America.
As a child, I remember asking my parents when I was five years old, "How come if you are not Zionists, you came to the country?" I was surprised at myself that I asked this question. It means that it was always in the air. Then years later I understood it was because of the Holocaust, because they were refugees. They did not come as immigrants and, because of the illusions of the '50s and the late '40s, my mother said, "The world must be better." She could not imagine that it wouldn't be different.
Our cultural discussion of fat bodies and how we clothe them has nothing to do with health concerns, the obesity epidemic, or the comfort of fat people. It has everything to do with what we expect from women, what we've been told by the fashion industry, and the value we place on 'perfect' bodies.
I don't like how women's bodies are Page 3 news. I just don't think that's big news. Women's bodies are women's bodies, and that's that. And I love to see beautiful - the female form in great art and great photography.
I've been working some really long hours for the last five or six years. Anybody who works on series television knows, and especially women because women spend probably two hours more than the guys with all their hair and makeup crap.
Women didn't want to be on the stage with other women because they didn't want their bodies to be compared. They didn't want another female act opening for them because of this weird competitive and tokenistic attitude.
I sensed that women wanted to be a little different. My fluidity gave them a way of interpreting their bodies in a more personal, individual way.
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