A Quote by Coco Rocha
I don't do nudes. I don't do semi-nudes. I don't do cigarette shots. It took me a long time in the business to realize I didn't have to do everything people told me I should if I wanted a career.
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For a while, I was nervous about portraying women because of the objectification that automatically comes with it, whether the artist intends or not. With "Of Another Kind," I've not so much drawn nudes - I hate saying "nudes" because it's not a spectacle - but portrayed people naked. I see them in a more straightforward way - exposed, but with no indication of who or what they are; they're just there.
I did some artistic nudes when I was I 8 with a French-Canadian photographer while I was modeling. They were beautiful shots, and they were not about nudity.
Lipstick is the easiest way to dress up without doing a lot, but it's hard to maintain, so I always opt for nudes if I'm going out for a long time.
A few months ago I was visiting my mother, and she said that as a child I had always wanted to learn everything, and that it took me a long time to realize that you couldn't learn everything. I got really angry, and I shouted "I'm not done yet!"
I grew up with my career being thrust upon me. It took me a long time to believe that I could do more than that one aspect of our business.
I walked out of the show business in 1968 because I thought that would be good for the family. It took me some time to decide but I wanted to spend more time with my wife and two daughters who were always beside me. I wanted to do everything I could for them.
The whole point of art school is that you're going to be able to have nudes all day long and a teacher who is there to move you. It's great.
In 1958 I finally found a large enough apartment on the Lower East Side, where I reverted to figure painting. I drew and painted quite a lot of figures and nudes. People would come and pose for me.
It took me a long time to understand not to get caught up in other people's expectations. It really comes down to creative fulfillment. It took me a while to realize I don't want to just be on a show to be on a show.
I had people put my feet on the ground for me and say, 'No, you don't know everything, and you need to learn this and this and this,' and it took me time to realize that.
When I found out after that first successful exhibition that the gallery wanted me to do another show like the first one, I come out two years later with four 6-foot drawings of classical nudes masturbating. The gallery director flipped the freak out!
It took me so long to get to the music, where that was what I wanted to do all my life. It took me so long to realise that it wasn't really movies that I wanted to do, but to be on stage singing.
Nudes are the greatest to paint. Everything you can find in a landscape or a still life or anything else is there: darkness and light, character dimension, texture. I painted heads too, of course.
I like to paint nudes mostly.
My mom had always wanted me to better myself. I wanted to better myself because of her. Now when the strikes started, I told her I was going to join the union and the whole movement. I told her I was going to work without pay. She said she was proud of me. (His eyes glisten. A long, long pause.) See, I told her I wanted to be with my people. If I were a company man, nobody would like me anymore. I had to belong to somebody and this was it right here.
To be sexy, nudes need a little underwear.
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