A Quote by Coco Rocha

Previously, someone would interview me, and if they liked me, it'd be a great story. If they hated me, it'd be a horrible story. I had no way to say anything. Social media changed things for people who didn't have a voice.
I nodded. I liked Augustus Waters. I really, really, really liked him. I liked the way his story ended with someone else. I liked his voice. I liked that he took existentially fraught free throws. I liked that he was a tenured professor in the Department of Slightly Crooked Smiles with a dual appointment in the Department of Having a Voice That Made My Skin Feel More Like Skin. And I liked that he had two names. I’ve always liked people with two names, because you get to make up your mind what you call them: Gus or Augustus? Me, I was always just Hazel, univalent Hazel.
For me, a story's a story if people want to hear it; it's very much based on oral storytelling. And for me, a story is a story when people give me the privilege of listening when I'm speaking it out loud.
When people stop me to say they love 'Workin' Moms,' it's not just that the show makes them laugh or is a great escape - they tell me my, or another, character's story is their story.
Tell me a story. In this century, and moment, of mania, Tell me a story. Make it a story of great distances, and starlight. The name of the story will be Time, But you must not pronounce its name. Tell me a story of deep delight.
I think my relationship with social media has changed so much that I really resent social media now. And I'm trying to figure out what a successful exit strategy is as someone who has gotten a lot of opportunities because of social media and how it's given me a portfolio.
A friend gave me a drug for attention deficit disorder, because he's afflicted, but I'm not. So what happened to me is I suddenly had an extra-long attention span. People would tell me a story, and it would end, and I'd get all mad. "Come on, man, there has to be more to that story."
There's people, like me and Jaden [Smith], who want to utilize social media to elevate the consciousness of those people who feel like all they want from social media is to be famous.Like, you can actually be a voice. You can actually say something that's inspiring and not just make people feel like you need to buy things and be a certain way.
I think I have had my story with France. Unfortunately, it's not the story I would have liked. I would have liked to have played a World Cup; I would have liked to have done a lot more for the French national team.
I had no intention of replacing Arnold [Schwarzenegger]. There were a few things that made me want to do the movie. They were the script which had a different direction to it, and it was a chance to do a very different Quaid. I didn't read the short story until I went to college.Reading the story had a different effect on me of how I pictured him to be and the tone of the story was different. In the story, he's a bit more of an everyman.
When I can see someone that's posting the way that they're thinking about what's happening in the world right now or even art that they've created, it inspires me to do the same. It makes me turn off my phone and go paint a painting or go hike a mountain or go record a song. Those are the kind of things that social media helps me do. But it also can make me sit in my room and not do anything.
With literature, sometimes a book is presented in the media as being say, a Muslim story or an African story, when essentially it's a universal story which we can all relate to it, no matter what race or social background we come from.
With literature, sometimes a book is presented in the media as being say, a Muslim story or an African story, when essentially it's a universal story which we can all relate to it, no matter what race or social background we come from
I liked Augustus Waters. I really, really really liked him. I liked the way his story ended with someone else. I liked his voice. I liked that he took existentially-fraught free throws.
For me to do a story, something has to happen to someone. It's a story in the way you learn what a story is in third grade, where there is a person, and things happen to them, and then something big happens, and they realize something new.
For me to do a story, something has to happen to someone. It's a story in the way you learn what a story is in third grade, where there is a person and things happen to them and then something big happens and they realize something new.
It occurred to me that there was a story behind the scar -- maybe not as dramatic as the story of my wrists, but a story nonetheless -- and the fact that everyone had a story behind some mark on their inside or outside suddenly exhausted me, the gravity of all those untold pasts.
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