A Quote by Cody Walker
Paul was the real deal. Both in the movie business and real life.
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You do a deal - business deal, real estate deal, stock deal - protect yourself at all times. I got that from boxing. That's from A to Z: that covers everything in life. And it started when I heard it in the ring. They don't say that in basketball or football or any other sport that I know of but boxing.
Horror stories have always worked on film. It's where they work. That's where vampires and ghosts and UFOs are real. They're not particularly real in life, but they're real on the screen. It's the communal aspect of movie-watching.
It was crazy to say that I have the guidance of Paul Heyman out of all these people. Eight-year-old real me is like, is this real life?
[Show] business is tough. You never know who or what's real. It's tough when you get in this business, if you have no grounded foundation other than Hollywood, because this business isn't real. We're getting paid to do what we love, but it isn't real.
Sometimes you have to think about what you're going to say, in real life, so when you see that thought process going on in a movie, it feels real and looks real.
What I love about the way they both [Paul Thomas Anderson and Joaquin Phoenix] work is that all of the monkey business is on film. There's no monkey business outside of the monkey business of making the movie. There's no ego bullshit, there's no wasted energy. It's all directed at the story and that's rare.
It is said that “there is a self,” but “non-self” too is taught. The buddhas also teach there is nothing which is “neither self nor non-self.” Everything is real, not real; both real and not real; neither not real nor real: this is the teaching of the Buddha.
Artists and writers have to deal with the element that makes the real real and the dream real while you are dreaming it. That's where stories and poems get their power.
Spiritual people don't float around all day on clouds of glory; they live in the real world and deal with real issues in real ways.
Who here actually thinks I would do 50 Shades of Grey as a movie? Like really. For real. In real life.
My life is good because I am not passive about it. I invest in what is real. Like real people, to do real things, for the real me.
Fantasy is usually considered an escape, but it's also a way to deal with weighty real-world issues from a safe distance and in a context where you usually have some kind of power that you don't have in real life.
I have a split - of my real home-life side that's real-life, and then the creative side that is not necessarily real-life, but it intersects my real-life so much.
I'm not making a movie about the real people. I'm making a movie about what they did, and what happened to them. But I will create characters so that I can have the freedom to make them say and do what I want. The real-life journalists were fine with that.
Sirius and XM went on air in 2001. It's taken 14 years for that to be a real business. It took them combining to be a real business.
