A Quote by Cody Walker
ROWW will only grow stronger to continue Paul's legacy for years and years to come. We are always conscious of Paul as we continue to grow - I want to make certain that ROWW continues on a path that Paul would be proud of.
Related Quotes
Being on a Paul Thomas Anderson film, the best decision an actor can make is to listen to Paul Thomas Anderson. Because he's probably not going to steer anyone in the wrong direction. I would always say go with your gut on any other movie set, but with Paul, I would say go with Paul's gut.
My good friend Paul Shaffer and I are going to continue in show business. Next month Paul and I will debut our new act at Caesar's Palace with our white tigers.
I mean, this is a group [Republicans], don't forget, that gave its presidential straw ballot to Ron Paul, Ron Paul, and Rand Paul and Rand Paul. So, they have abandoned what - their libertarian values and instincts to embrace [Donald] Trump.
These [conservative] people, if they're Americans, look back on the last 35 years of our ecclesial experience and take heart from that. The dramatic reform of seminaries continues. The priests and bishops who take their pastoral model from John Paul II will continue to do so, perhaps learning a lesson or two from Francis along the way - and they'll be the overwhelming majority of the Church's ordained ministers ten, twenty, thirty years from now.
Paul was a huge movie star, and I think really what I didn't realize about Paul that I've since learned, is how loved Paul was to this scale.
The only person who ever called me Paul was my father, so I always associate it with doing something wrong, you know. So, you know, occasionally, people will come up to me on the street and try to, you know, ingratiate themselves and call me Paul. I don't like it, actually.
As long as the Internet economy continues to grow, Stripe will continue to grow.
Donald Trump said he doesn't care about Paul Ryan's support, he doesn't want Paul Ryan's support, that he might be better off without Paul Ryan's support.
I felt that film (Let It Be) was set up by Paul for Paul. That is one of the main reasons the Beatles ended. I can't speak for George, but I pretty damn well know we got fed up of being sidemen for Paul. After Brian died, that's what happened, that's what began to happen to us. The camera work was set up to show Paul and not anybody else. And that's how I felt about it.
Paul [Dano] was amazing at carrying me around [in Swiss Army Man]. I wanted to be there as much as possible but didn't want to hurt Paul's back, but Paul often chose me over the dummy many times on the set. But yeah, to be honest, a little bit of preparation I did with my friend in my flat could never have prepared me for quite the level of physical reliance we would have on each other.
A government that robs Peter to pay Paul can always depend on the support of Paul.
It was always fun to skate with Paul Wylie and Paul Martini.
At John Schlesinger's funeral at a synagogue in St John's Wood some years ago the person I stood next to said to me encouragingly, 'Come on, Stephen - you're not singing. Have a go!' 'Believe me, Paul, you don't want me to,' I said. Besides, I was having a much better time listening to him. 'No. Go on!' So I joined in the chorus. 'You're right,' Paul McCartney conceded. 'You can't sing.
When I started working as a writer-director, that's when he became Paul Thomas Anderson and I became Paul W.S. Anderson. Neither of us can write and direct an American movie under the name Paul Anderson.
Paul McCartney would be the end all, be all. To work with Paul would just be amazing.
I've always loved opera; it never occurred to me that I would write a proper libretto. One of my closest friends is a composer, Paul Moravec, and a few years ago, Paul and I were at lunch, and I said to him, "you really have to write an opera." So, he says very casually to me, "I'll do it if you write the libretto." Well, little did I know that the within a couple of years we would end up getting a commission from the Santa Fe Opera to write an opera together, "The Letter," which turned out to be the most successful commissioned opera in the history of the Santa Fe Opera.
