A Quote by Colin Trevorrow
The movies of our particular childhood were so great that it's almost impossible to recapture that magic, especially as adults.
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The biggest and most important part of our childhood was making movies. Our whole drive in life was to do this for a living, and then also to try to recapture that feeling that we had when we were telling those stories in the summer.
Recently, I've really responded to books that bring the magic of childhood back to us as adults.
Magic is always impossible.... It begins with the impossible and ends with the impossible and is impossible in between. That is why it's magic.
With the 'Old Kingdom' trilogy, at least half the readers were older adults rather than younger adults. I wrote them for myself with no particular audience in mind.
Art is magic... But how is it magic? In its metaphysical development? Or does some final transformation culminate in a magic reality? In truth, the latter is impossible without the former. If creation is not magic, the outcome cannot be magic.
I have always believed in the magic of childhood and think that if you get your life right that magic should never end. I feel that if adults cannot enjoy a children’s book properly there is something wrong with either the book or the adult reading it. This of course, is just a smart way of saying I don't want to grow up.
My childhood was such an odd one, but with such magic, and the quirky grown-ups who were in it managed to still bring a huge sense of love and magic, so for that I'm really grateful.
People talk about fantastic memories of childhood, but I remember children being cruel to me and wanting to come out of childhood as soon as possible because I knew adults were generally more contained in their cruelty.
When I look back at that freedom of childhood, which is in a way infinite, and at all the joy and the intense happiness, now lost, I sometimes think that childhood is where the real meaning of life is located, and that we, adults, are its servants - that that's our purpose.
When we raise our children, we relive our childhood. Forgotten memories, painful and pleasurable, rise to the surface.... So each of us thinks, almost daily, of how our own childhood compares with our children's, and of what our children's future will hold.
The four movies I can remember seeing as a kid were 'The Elephant Man,' 'The Magnificent Seven,' 'The Good, The Bad and The Ugly' and 'Mad Max!' Two of those are westerns. So the western genre is emblazoned on my memory from childhood, and those are two great movies.
I enjoy sports movies that don't sugarcoat. One thing that irritates me about sports movies is that they're like, 'The magic of the ball,' and 'The magic of the stadium.' It ain't that magical. When you get hit coming across the middle at 25 miles per hour, the magic's over.
If they were real, then maybe the world was big enough to have magic in it. And if there was magic — even bad magic, and Zach knew it was more likely that there was bad magic than any good kind — then maybe not everyone had to have a story like his father's, a story like the kind all the adults he knew told, one about giving up and growing bitter.
When you write for children and young adults, you have much more affect and influence on them than when you write for adults. The books that get us through our childhood stay with us for life.
I guess it the one consistent thing in my life was that sense of magic that film provide - I still remember the movies from my childhood that I loved.
In our imaginations the adults of our childhood remain extreme, essential - we might say radical since they are the roots that fed luxuriant later systems. Those first bohemians, for instance, stay operatic in memory even though were we to meet them today - well, what would we think, we who've elaborated our eccentricities with a patience, a professionalism they never knew?
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