A Quote by Colin Trevorrow

I learned on film at NYU. I was probably the last generation that was analog. Anyone who was a year younger than me, it was probably all digital. — © Colin Trevorrow
I learned on film at NYU. I was probably the last generation that was analog. Anyone who was a year younger than me, it was probably all digital.
We believe that the next generation of powerful mobile companies have a deep understanding of the world as a unified whole, where digital and analog experiences affect each other rather than transporting analog experiences into the digital realm.
You're talking about a younger generation, Generation Y, whose interpersonal communication skills are different from Generation X. The younger generation is more comfortable saying something through a digital mechanism than even face to face.
In music, we can still record analog and then do the post production in digital. In film, sooner or later, we're not even going to be able to film because they won't be able to process. The labs won't exist anymore. You'll just have to do it with digital.
'Brace the Wave' is an acoustic-electric record recorded with electricity on analog-digital and digitally-analog equipment.
I don't do anything digital. Everything is analog, and that's a limitation for me. However, in my world, it's not a limitation at all because I don't create the type of music that would generally be created by musicians that work with digital recording studios, and/or digital equipment, as far as production is concerned.
Analog sounds so much better. I frankly can't listen to digital audio for more than a few hours without really starting to hate what I'm listening to. Even decent 24-bit digital resolution really irritates me after a while.
I love music with real instruments. I'm not one of those guys that's a purist about analog vs. digital, but I love the analog approach. Sonically, I connect to that.
The character - character - of Mallory on 'Family Ties' was a year younger than me. A fictitious year younger than me. So, I am not 21. I am not getting into the club. Boom.
Analog is more beautiful than digital, really, but we go for comfort.
A film like Genevieve to my contemporaries is not a film made years ago, but last week or last year. They see me as I was then, not as I am now.
I think with each generation comes more opportunity. At least that's the way that I see it. I grew up in a generation that watched the birth of the internet. We all have. But I feel like I look around at the generation younger than me and it's a very opportunistic mantra.
One day, digital will be it. Analog will just be another oddity, and that's fine, too. I have no great misgivings about it, but there will always be something to analog. It's the smell of the tape and all that visceral, physical stuff.
I took one film class at NYU over a summer and learned the basics - you know, how to load a camera and how to light and how to edit - and I became a film editor.
I don't want this music to die.The older people are passing it on to the younger generation so the younger generation can pass it on to the next generation.
In his forty-third year William Stoner learned what others, much younger, had learned before him: that the person one loves at first is not the person one loves at last, and that love is not an end but a process through which one person attempts to know another.
I'm staying with film, and with silver prints, and no Photoshop. That's the way I learned photography: You make your picture in the camera. Now, so much is made in the computer... I'm not anti-digital; I just think, for me, film works better.
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