A Quote by Colin Trevorrow

For whatever reason, from a young age I've always been able to shoot images and cut them together with sound in a way that was very engaging. — © Colin Trevorrow
For whatever reason, from a young age I've always been able to shoot images and cut them together with sound in a way that was very engaging.
There are so many fantastic roles, but the ones that have always drawn me to them are the loners who, for whatever reason, never quite fit in and knew it and had to find their own way. I've always been drawn to that, for some reason. I've always been drawn to that sad, isolated place, but what it produces in behavior is something else, entirely. For whatever reason, I'm drawn to these people. Essentially, I think what draws me is that they are survivors against rather considerable odds.
For whatever reason, I've always been able to hit very hard.
We’re face to face with images all the time in a way that we never have been before... Young people need to understand that not all images are there to be consumed like fast food and then forgotten – we need to educate them to understand the difference between moving images that engage their humanity and their intelligence, and moving images that are just selling them something.
I'm small, I'm young - and I'm so different. You've always respected that difference, and you've always trusted it. Trust me now. There's a reason I am the way I am, and there's a reason I was born to you. There's always a reason. We belong together.
Young children especially are receiving so much of the world through their ears and their eyes, particularly if they're pre-literate. So engaging them with sound, particularly sound that stirs them emotionally because of the sequence of notes, will make them pay attention.
There's something intrinsically Australian about a bunch of brothers and school friends getting together as a band at a very young age and all pulling together as a band at a very young age and all pulling together as mates to make something happen.
There are movies that I've made where I thought I was going to be good, but when it was cut it together it wasn't. And there are a lot of movies that, for one reason or another, just don't become popular. So to me it's always been a little bit of a roll of the dice. That's the way it goes.
The intention was to shoot short films that can exist as shorts independently, but when I put them all together, there are things that echo through them like the dialogue repeats; the situation is always the same, the way they're shot is very simple and the same.
Music has always been a huge part of my life from a very young age, and today it remains a very powerful and natural way for me to connect with people, as well as my children.
I watched a lot of silent movies. It's a very specific way of writing, which is more of a challenge than the directing. You have to describe images. It's easier to shoot them.
That has always been my initiative, to do my own thing and take things that don't really go together and put them together. Wear a tuxedo jacket with some track pants, whatever I feel like, whatever I think is dope.
I feel like with our shows it always feels weird to be performers on stage and not engaging in audience interaction in some way - that exchange of energy is very much a part of the sound.
It's been an adventure just getting out to Saturn, .. Saturn is such an alluring photographic target. It's a joy, really, to be able to take our images and composite them in an artful way, which is one of my cardinal working goals. It's about poetry and beauty and science all mixed together.
Deep down, all directors feel like frauds - because it's built into the nature of the job. You're the jack of all trades and the master of none. The cameraman knows the camera, the sound man knows the sound equipment - and you? You can't do anything: You can't do the acting, you can't dress the set, you don't record the sound or shoot the images.
I've always been interested in exploring the concept of child prodigies. When I was younger, I wrote a story about Mozart as a child, and I just always loved this idea of young people who are able to take control of their lives and bring a whole lot of change at such a young age.
I've always been interested in exploring the concept of child prodigies. When I was younger, I wrote a story about Mozart as a child and I just always loved this idea of young people who are able to take control of their lives and bring a whole lot of change at such a young age.
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