A Quote by Constance Wu

I feel like I could carry a movie or a show, and I'll mess up here and there, and I'll learn from those things. — © Constance Wu
I feel like I could carry a movie or a show, and I'll mess up here and there, and I'll learn from those things.
I really don't drink, I don't do drugs. I feel like right now I've been given so many opportunities I don't want to mess it up with those things.
A rock star is expected to act like a mess, sound like a mess and look like a mess. People don't expect you to show up on time and be a professional. But when you're a pop star, you have to do all that, look perfect and be a role model.
I'm not a perfect person who doesn't mess up, eat bad, not work out - I do all those things. It's just for the most part, when I'm working, I don't feel like I have the choice. I have to bring my A-game.
Perfectionism means that you try desperately not to leave so much mess to clean up. But clutter and mess show us that life is being lived. Clutter is wonderfully fertile ground - you can still discover new treasures under all those piles, clean things up, edit things out, fix things, get a grip. Tidiness suggests that something is as good as it's going to get. Tidiness makes me think of held breath, of suspended animation, while writing needs to breathe and move.
You could feel things or you could find a way to shut down. But once you were feeling things, you couldn’t decide exactly what to feel. That was the trouble with letting them in at all. They made a mess of the place.
I think people have to sharpen their eyes and look. I always feel like a big sponge: I feel like I learn lots of things by osmosis, and I feel that I'm always absorbing. I mean, when people say, 'What is your inspiration?' I could throw up. I mean, I'm inspired by the fact I get up in the morning. And I'm still here.
If we don't have the actors, or you get the sense that some of the other people involved in making the movie don't necessarily see the movie the way you see it - all those elements, for us, we like having those things feel like they're moving in the same direction.
There will be times when I mess up. I'm human, but I want to be a role model for the good things I do and the bad things I do. And the times I do make mistakes, learn from those mistakes.
I actually love actresses who look like they feel really natural. I like Patricia Clarkson, Laura Linney, Frances McDormand. Those are actresses where the second they show up on screen you're like, oh my gosh, this movie just got so much better.
When you make a movie, it's a movie, and things change based on who you put in the movie. And so it's, you know, obviously not exactly your life, but I feel that I did learn a lot about my parents.
I feel like every movie has been wish fulfillment. For The Heat, I love Lethal Weapon. I watch it over and over again. I always wanted a friend like that; I always wanted to be the badass taking down the drug dealers. It was basically just writing what I wished I could be. Female friendship is so interesting to me. I often feel like when you make female friends as adults, it's polite. I wish it was less polite and you could be frank and mess around with each other.
The main thing going through my head when I step out onto any show is: 'Don't mess it up, Emma, don't mess it up.'
I call it 'new forms'. When you're starting out, they ask you to do four or five minute sets, but once you're a headliner, you do like 90 minutes. I try to think of different things to divvy up the show, like doing drawings, playing music... I gotta carry the show, that's the problem.
People don't scream or swear or pout or sulk when there's compatibility. But most growth occurs when there's incompatibility. When it comes to resilience, when it comes to pulling yourself up when you've fallen down, you don't learn those things when things are going well. You learn those things when you're struggling.
There's something about that idea of looking up and hoping, and thinking, 'I'm good.' Some things, like show business, are absolutely subjective. People look at a TV show and think, 'I could do that.' And maybe they could do that. But they're not.
I feel like with Indy cars, you can just show up - if you are equipped to build and make a nice car, then you could be competitive. But in NASCAR I don't see that even being possible for someone to just show up with a car. There's too much evolution of the tricks and bells and whistles and all the things it takes to be fast in stock-car racing that you wouldn't know.
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