A Quote by Courteney Cox

Always a godmother, never a mother. That sucks. I've got to get me one of those little accessories. — © Courteney Cox
Always a godmother, never a mother. That sucks. I've got to get me one of those little accessories.
My mother gave me very good advice years ago. I grew up in the Great Depression and she always told me to get a good little basic black dress - well-cut, well-made, good fabric - and it could take me through everything. I could go to the office in the morning and stay out all day in the same dress. Just by changing accessories, because they are so transformative, you can make six different outfits. I find that very useful. My mother worshipped at the altar of accessories and I'm an accessory freak, as everybody knows. That, I got from my mother.
My mother worshipped at the alter of accessories and I got the bug. She always said, if you have a good, little, simple black dress and you have different accessories, you can have 27 different outfits.
I'm a godmother, that's a great thing to be, a godmother. She calls me god for short, that's cute, I taught her that.
I definitely get my artistry and my vocal talent from my mother and mother's side. She sang in a jazz trio band so growing up my dad would always take me to see her play and she has a beautiful voice. When I was little and started to sing, she supported me and let that fire burn. She always knew what it took as a support system.
My childhood was all about going to church, singing in church. And later on, after I got a little older, my mother taught me how to do poems for Easter and Mother's Day, recitals and so on. I got attached to that, so as I got older and older, I began to recite poetry.
I was always restless, always a roving spirit. When I was a little child I was always running away. I never got very far, but they were always having to come and fetch me. Once when I was about six, my father came to get me somewhere I'd gone, and he told me later he'd asked me, "Why are you so restless? Why can't you stay here with us?" and I said to him, "I want to go and see the world. I want to know the world like the palm of my hand.
I always keep a hoodie on me at all times 'cause you never know when it's gonna rain, you never know when it's gonna get a little cold at night. So, you always got to keep a hoodie. And I always keep like a earth tone hoodie 'cause it always goes with your outfit no matter what you have on.
I am a far better grandmother than I was a mother. My daughters would back me up on this. As a mother I was busy, preoccupied and obsessive about John and my life with him. My children got overlooked. But my grandchildren never get overlooked.
If there was a choice on spending a lot of money on accessories or dress, I always chose accessories. I think jewelry can change an outfit more than anything else.
I've learned to be more reserved, watch what I'm saying; I got in a little bit of trouble. People tell me 'Never lose that, never lose that,' but then I get in trouble so I have to lose it. I'm trying to keep a little bit; I'm never going to lose who I am, I just gotta tone it down a little bit.
I feel like my earliest encounters with mascots, they were never too receptive of me. I was a taller child. I always looked a little older than I was. I don't think I ever got proper attention from those mascots.
I admired fashion but I wasn't an "iconic fashionista" myself. I think as I got more comfortable in my skin, then I got a little bit more into fashion, but it's always been something I've been interested in because you can express yourself through what you wear and your accessories and everything else. So getting into my early 20s was really started to come into myself.
My fourth mother, my godmother, she passed away a couple years ago - her name was Gwen. She was the theater director over at the gym where I grew up and learned about all those awesome things I told you about already. She was the one who taught me terms like "upstage" and "downstage," all those technical things about the art of what I do - how to breathe what I see, how to move. They were all her tactics, not anything learned or given to me through a theory, but rather by her natural abilities.
I think in most cases, unless you're writing about a character who is garrulous, you say what you've got to say and then get out. Those little conjunctions, those little turnaround words help you do it. That's the way I like to write: I get rid of things rather than add them.
[My mother] told me a little bit about the scene out there and I think, as a small child, I just always felt a connection to that history because my mother had described it to me.
People called me the godmother of punk, but I never name myself anything.
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