A Quote by Craig Mazin

I am eternally impressed and amazed by what directors do. — © Craig Mazin
I am eternally impressed and amazed by what directors do.
I don't know how it is, but the Germans are amazed at me and I am amazed at them for finding anything to be amazed about.
Who are you then?" "I am part of that power which eternally wills evil and eternally works good.
What gnashing is not a comfort, what gnawing of the worm is not a tickling, what torment is not a marriage bed to this damnation, to be secluded eternally, eternally, eternally from the sight of God?
My dad is so impressed. He loves the movies and would take us two, three times a week, so this fantasy of mine of becoming an actor? I can blame my father for that. He's so amazed. And so happy.
When I was young I was amazed at Plutarch's statement that the elder Cato began at the age of eighty to learn Greek. I am amazed no longer. Old age is ready to undertake tasks that youth shirked because they would take too long.
When I was younger, I was impressed by those who were educated, accomplished, successful, and applauded by the world. But over the years, I have come to the realization that I am far more impressed by those wonderful and blessed souls who are truly good and without guile.
I know a lot of actors who get a part and then they dissect it and they want to change it and they want to add stuff. I'm always amazed and so impressed by actors who do that.
There had to be a circle of Hell where you were eternally fourteen, eternally in junior high. One of the lower circles.
I would like to believe that I am a collaborative actor. That's why I love all the directors I have worked with in recent times, as they are all collaborative directors. I think my constant desire is to keep bettering my own work. I don't get easily satisfied with my work; I am very critical of it. I learn from my mistakes.
I never make suggestions. I really don't. I know a lot of actors who get a part and then they dissect it and they want to change it and they want to add stuff. I'm always amazed and so impressed by actors who do that.
Everything goes, everything comes back; eternally rolls the wheel of being. Everything dies, everything blossoms again; eternally runs the year of being. Everything breaks, everything is joined anew; eternally the same House of Being is built. Everything parts, everything greets every other thing again; eternally the ring of being remains faithful to itself. In every Now, being begins; round every Here rolls the sphere There. The center is everywhere. Bent is the path of eternity.
Ultimately, the Niners just felt at the end of the day like the right place to be. I was really impressed with the way they run their organization, impressed with the winning, impressed with coaches and players. Everything felt like it was in line.
The founding generation would be amazed. It would be surprised. I think it would be very impressed by what has happened since then in terms of our exploding population; in terms of the success of this country economically and otherwise.
Most directors, I discovered, need to be convinced that the screenplay they're going to direct has something to do with them. And this is a tricky thing if you write screenplays where women have parts that are equal to or greater than the male part. And I thought, 'Why am I out there looking for directors?'—because you look at a list of directors, it's all boys. It certainly was when I started as a screenwriter. So I thought, 'I'm just gonna become a director and that'll make it easier.'
Very early on, I was writing stories, and I was amazed at Spielberg's movies when I was young. Coming from the countryside, I was so impressed with the way he was able to tell stories and the way he was able to deal with le merveilleux - the wonders.
I am constantly amazed on every level at how lucky I am.
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