A Quote by Craig Mazin
In the case of 'Chernobyl,' we're telling a story of a government that runs on lies the way cars run on fuel, and there are people who ultimately end up paying the price for those lies - and a certain culture of denial is in place, and the degradation of expertise is in place.
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As an American I must say I haven't been very encouraged by the way in which the people who run the government in the United States have been listening to those contrary voices. And so long as the power to run the world lies in the hands of people who are quite happy to see it get warmer, or fuel be used more, then would those people who oppose it are crying in the wilderness - that's the real problem.
Lies 1: There is only the present and nothing to remember. Lies 2: Time is a straight line. Lies 3: The difference between the past and the futures is that one has happened while the other has not. Lies 4: We can only be in one place at a time. Lies 5: Any proposition that contains the word 'finite' (the world, the universe, experience, ourselves...) Lies 6: Reality as something which can be agreed upon. Lies 7: Reality is truth.
There were lots of lies along the way in life. Lies without arms, lies that were ill, lies that did harm, lies that could kill. Lies on foot, or behind the wheel, black-tie lies, and lies that could steal.
The telling of stories, like singing and praying, would seem to be an almost ceremonial act, an ancient and necessary mode of speech that tends the earthly rootedness of human language. For narrated events always happen somewhere. And for an oral culture, that location is never merely incidental to those occurrences. The events belong, as it were, to the place, and to tell the story of those events is to let the place itself speak through the telling.
Now, I know from experience that the trouble with one lie is that it usually takes more lies to cover it up. And if you don't watch out, you wind up telling lies to cover up the lies that are covering up the original lie.
'Chernobyl' is a human story. It's not a disaster movie. It's not about explosions. It's about people and truths and lies.
You could perhaps better tell the story of a place by writing of a tiny village as a sort of prism into the bigger issues the culture was facing. It struck me as a better way to learn about a place, or at least a different way, than just going to interview the president. So I have often tried to tell the story of a place through people there. But I'm just amazed.
We need to develop a better descriptive vocabulary for lying, a taxonomy, a way to distinguish intentional lies from unintentional ones, and a way to distinguish the lies that the liar himself believes in-a way to signal those lies that could more accurately be understood as dreams.
The whole world is absolutely brought up on lies. We are fed nothing but lies. It begins with lies and half our lives we live with lies.
For me, the best journalism is usually the best storytelling, and the best stories are those of real people. Sometimes those real people are people in positions of great prominence or power or adverse situations, and sometimes it's just normal folks who help illuminate a situation, a place, a culture. And for me, that's always been the best way of telling a story.
If there was twenty ways of telling the truth and only one way of telling a lie, the Government would find it out. It's in the nature of governments to tell lies.
I see lies everywhere - switch on the television, it's lies. Everything is lies. In the art world or science community, we are intellectuals, people who research, who are interested in learning and thinking. I think the level of lies is way lower than when you step into what I call "the outside world".
Nuclear power must be dealt with irrationally. . . . Nuclear plants are carcinogens. Let's get that story out. . . . Their lies will catch up to them. We need endless Chernobyl reminders.
…I go through a story for lies. I might discover the lie of trying to show off. Sometimes they’re lies of character. Sometimes they are lies of writing the most beautiful sentence in the world that has nothing to do with the story.
That's where my vision lies and my passion lies, leaving the game in a better place for my fellow players than it was when I came in.
They are longing for a war with Iran. Iran is no more a harm to us than was Iraq or Afghanistan. They invented an enemy, they tell lies, lies, lies. The New York Times goes along with their lies, lies, lies. And they don't stop. When the public that's lied to 30 times a day it's apt to believe the lies, is not it?
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