A Quote by Curtis Grimes

Albom with Trent Willmon is the first project that I haven't had to scrap money together for. The is the first time I've used any outside songs at all; until now it's only been stuff that I've written. This is also the first album of mine that's had any co-writes on it, as well. It's a big step, coming off of anything we've ever done before.
I had only ever done films that never had this huge fan base. I acted just to act. And so, coming into 'The Originals' and 'Legacies' and that fandom for the first time, I didn't know how to handle it at first, but I have a better grip on it now.
I like 'Bewitched' off the first album because it's one of the happiest songs I've ever written and, as any writer will tell you, happy songs are a million times more difficult to write than sad songs.
Every show is a mess at its first preview. No one's had enough time to rehearse in costumes, traffic patterns backstage haven't been worked out, machinery weighing thousands of pounds is being operated for the first time. And, also, it's the first time all the material you've written is before the public.
We made 'Mickey and the Bear' with barely any money with a first-time director, a first-time director of photography, and a crew who had just graduated from NYU film school. We were all very much in this together for the first time. There's no famous actor or big explosions. It's not a Marvel movie. I thought nobody was going to see this film.
Our first album sold a million copies. Because we had such a big hit on the first album, it's always like, 'You can't top the first album.'
I had been told by a number of people that if you get half of what you want on your first album, you're doing really well. Pretty much every single thing they had was something that I liked. There were maybe one or two songs I didn't like, and they were taken off the album quickly.
If I had to compare any of the two, I'd compare the first one in Edmonton, the first one here in New York because it had been so long in New York since we had won. Obviously, being the first time to ever win the cup in Edmonton, they were fairly similar in that regard.
The album is a definite departure. I haven't written original material before, except for one song on my first album, but Elvis and I did six songs together on this one.
When I earnt my first money, I went to a shop and bought jeans and a top. But then I wore them both for such a long time that finally my model agency said, 'You should buy something else!' I was saving the money because it was the first time I'd ever had any.
Ideas come at any moment -- except when you demand them. Most ideas come while I'm physically active, at the gym, with friends, gardening, so I always carry pen and paper. My first draft is always written in longhand. But once the first dozen chapters, more like short stories, are written, then momentum builds until I can't leave the project until it's done.
I was the first artist, I think, to ever do an all-keyboard album. There were things that resembled it, like Stevie Wonder. A lot of his stuff was on keyboards, but he used brass and he used other things as well. I was the first artist, also, to use drum machines. I was really the one who kind of started that whole thing.
The first album was literally the first 12 songs I've ever written.
When I wrote those first songs for the Truckers, songs like 'Outfit' and 'Decoration Day,' those were strong songs, very strong songs. But had I been in the position of writing an entire album at that point in time, I don't think the whole album would have been of that kind of quality.
I took a lot time to do the first album, and I was really happy about that album. I co-wrote the songs and it was a learning process. When I was working on that album I realized, for the first time, that I could write my own songs.
Every time I felt the pain coming on I'd go downstairs and hammer out an idea. After a few months I started to take a look at what I was making, I had for the first time in my life written a large grip of songs completely alone and without any expectations or plans of what they would be for.
I don't think drums had ever sounded so big until Led Zeppelin's first album.
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