A Quote by Curtis Grimes
I believe that being on that show [the Voice] and getting the exposure opened the door for me to get my name and music outside of Texas and the markets I was used to playing in. One of the bigger things that came about from being on the show was that I got on with Paradigm Booking Agency; one of my earlier problems was how hard it is to get booked if you don't have a good booking agency.
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The power of a label and radio and a booking agency and all that - you never know until you experience it the first time, but being able to have a song on radio, but then go play a show for people that have heard the song on radio, and having it sung back to you, is - I don't know how to describe it.
Every day that goes by shortens our opportunity of booking it successfully. Whether it's members pulling their condos for personal use, whether it's a convention booking our conference center, whether it's golf packages being booked .. not hearing makes it that much harder to accommodate them.
People think my career started when I sent that tape to Renaissance. I’d actually been working hard for seven years before I got to that point. I was putting on parties and booking DJs around me to get my name on the flyer. I knew I had to do it for myself. I knew no one was going to come knocking on my door. I knew it was up to me.
But the great thing about shows now is since we've been doing (Comedy Death Ray), they have lightened up on their booking policies a bit more and are booking somebody who isn't famous and who hasn't been around ten years. It's great to see people who've done our show - the first big show they've ever done - now they can play around town.
I have always had problems with my voice, and the piano helped me believe the song could be bigger than my voice, and I could play with new melodies and things that I couldn't on guitar. It was easier to make the sound fuller and easier to get away with not being as good.
You have to pay your dues. And what's nice, after booking a lot of new people... I counted the other day. We're in September and we've already booked between 30 or 40 people who've never done the show before.
To reform the Secret Service, the agency needs a director from outside the agency who will be immune from that culture and not beholden to entrenched bureaucrats within the agency.
If you die without agency as a child, but you have agency in your body [in the novel], how is it to be enacted unless it is being reimagined by a writer?
I want to build a brand for myself and get booked for being me, while others will get booked for being them.
A tactic used by authors of virtually every single book I've ever read that propounds a conspiracy theory is to attack an agency as being part of a conspiracy in the Kennedy assassination, but when this same agency comes up with something favorable to the author's position, the author will cite that same agency as credible support for his argument.
People try and make it a big deal, but a show's a show, work's work, if you haven't wrestled in New York in a couple months, it's always good to take a booking there because there's a lot of great wrestling fans up there.
People who are just starting out are always sort of coming to me for advice as the example of "independent girl," and lots of people ask, well, how did you get the booking agent or the national distribution or the tours? And I look at them like, "Good lord! Relax!" I mean, how I did it was to not care about it and to not even think about it for years and years. All I thought about was getting the next little gig in the little bar, and I get this sense that people want me to give them the secret formula or the magic trick to make it all happen.
I spent most of my 20s playing music. I was in a band and we worked really hard and did not get very far. I was really close to being this guy who used to be in this band who is still playing and trying to get some recordings together, but I got really lucky. That's never lost in me, that I went through Saturday Night Live.
When I used to fight in the amateurs, guys wouldn't show up for the finals and I won the tournament. They wouldn't call my name when it was time to get the trophy. They called everyone else's name. Believe me, you remember things like that. I'd say there was disrespect there. It's followed me into the pros.
I tried to work with a record label; I tried to work with a booking agency, variety shows. I went to Vegas. I just tried everything I could think of, and nothing took. No one thought there was a place for my style and my music; it was just too different.
I've produced things myself, I was like telling the producers how to do the show. They really didn't appreciate that, they just wanted a dumb rocker on the show and they got some guy telling them how to do their job. So being too smart can get in the way.
