A Quote by Curtis Grimes

I got to meet a lot of cool people [on the Voice], and my favorite part about the experience was getting to sit around and do little jam sessions in the hotel. We were pretty much in lockdown at the hotel in downtown Los Angeles, and there wasn't much to do. It was interesting to be in a room with someone that was a rapper next to me, a country artist, then you have someone playing a song on the keyboard, and it was just really cool as just a random ensemble.
I've stayed in so many hotel rooms that I'm shocked if, when I stay in a hotel room, the hotel phone isn't on the desk. Then I'm like, "This isn't a real hotel room." If there's not outlets next to the desk, or if they have an iPhone adapter for an iPhone 4, that's when I'm sitting there annoyed. I understand that it's ridiculous, but that's just me spending way too much time in hotels.
I mostly play my dynasty or against someone in the hotel. I don't really like online games. I can't stand people yelling in my ear over a headset. I'd rather just play someone like Dwight Howard out in Orlando or people back home. For games like that, it's cool, but just signing on and playing random people, I hate it.
I used to live at the Cecil Hotel, which was next door to Minton's [Playhouse]. We used to jam just about every night when we were off. Lester [Young], Don Byas and myself - we would meet there all the time and like, exchange ideas. It wasn't a battle, or anything. We were all friends. Most of the guys around then knew where I lived. If someone came in Minton's and started to play - well, they'd give me a ring, or come up and call me down. Either I'd take my horn down, or I'd go down and listen. Those were good days. Had a lot of fun then.
I don't like walking around with people thinking I'm doing uncool s--, because there's nothing I'm doing that's uncool. It's all innovative. You just might not understand it yet. But it's cool. Family is super cool. Going home to one girl every night is super cool. Just going home and getting on the floor and playing with your child is super cool. Not wearing a red leather jacket, and just looking like a dad and s--, is like super cool. Having someone that I can call Mom again. That s-- is super cool.
We all just meet up and someone's house or the studio and we'll just jam and we'll lock into something that sounds cool. I'll go home with tracks of cool parts and work on words. Everyone in the band has a job to do and everyone knows their job and we all do it really well. So, when we're writing, we can just look at one another and say, 'OK, go write this part'. It's not just one person writing or producing everything - everyone's working to product what we have.
A foreign correspondent is someone who lives in foreign parts and corresponds, usually in the form of essays containing no new facts. Otherwise he's someone who flies around from hotel to hotel and thinks that the most interesting thing about any story is the fact that he has arrived to cover it.
Sometimes you've just got to sit down, whether you're in the hotel room or on your couch at home, and really just appreciate what's going on around you.
Obviously, this isn't my normal life, traveling to cities and talking to journalists. It's fun. It's really fun. I get to stay in a cool hotel and eat good food and meet cool people, but that's not my normal life. It's pretty pedestrian. I have coffee in the morning, I go for a run, and then I write for as long as I possibly can.
You'll go into a fancy hotel and you'll hear this track where someone has sampled 30 seconds of a really good song. Your ear picks it up and you get excited but then it goes into some monotone thing. The Buddha Bar stuff annoys me. I don't need to be on a beach and hear this stuff through little speakers, but people think it creates a "cool vibe".
My sister and I - she's a musician - we jam all the time. We always play around for giggles with stuff that seem unconventional or stuff that seems funny. A lot of the stuff sometimes is just a response from jam sessions in her room, so she'll be on the guitar or the keyboard, and we'll just start singing and doing stuff.
Towards the end of Coexist, we had a couple of short tours where, although we were on the road together, we weren't speaking very much. We were there to do a job, and once the show was done we'd go our separate ways to our hotel rooms. Those were some of my unhappiest moments. Stepping offstage and, within an hour, being in a hotel room alone is the most crazy feeling. I don't know how to really explain it. I felt just lost and confused. It's anticlimactic and you just feel really lonely.
For someone like me, music is all I've ever thought about - playing big shows, and then, when you take something that is based around your music and put it in a completely different medium, it's a really interesting and cool emotion to watch.
I was a very good tennis player in Ottawa, Canada - nationally ranked when I was, like, 13. Then I moved to Los Angeles when I was 15, and everyone in L.A. just killed me. I was pretty great in Canada. Not so much in Los Angeles.
For the live shows, I'm just getting my song together. I go back to my hotel room and I just listen to my song over and over again, figure out how to make it different and put my little Pia spin on it.
There's not a whole lot to do in Athens. When I was 13, I just started entertaining myself by writing songs. I'd sit in my room for 10 hours playing the same song, stacking vocals, trying out different drum beats, realizing no one would ever hear this but having so much fun. I guess I got my voice from just doing that so often.
I really, really love what I do, and there's nothing I love more than getting on stage and playing for an audience or working on a part, getting in front of the camera, and meeting all the cool people I get to meet, and going all the cool places I get to go.
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