A Quote by Curtis Hanson
In L.A. Confidential, it was great to surprise the audience with Guy Pearce and Russell Crowe - two Australian actors that they didn't know at all - and let people discover them through the course of the film.
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Coming from New Zealand and Australia is like a tough pre-school for Hollywood. And having been on 'Neighbours,' even though the agents I met with hadn't seen it, they knew it's where Russell Crowe and Guy Pearce had come from. It was a foot in the door.
There's all kinds of depictions of black men. You have the Denzel Washingtons and the Will Smiths; that's wonderful, but that doesn't represent everyone. There's a Russell Crowe... well, you know, there's a black Russell Crowe.
'L.A. Confidential' was written with me in mind, but Russell Crowe got the part. Go figure.
Starring Russell Crowe as the Patron of the First Ark, 'Noah' had affronted some Christian literalists with its giant rock men, its weird visions, and the occasionally dark motives of its protagonist. But the film corralled enough religious leaders, including Pope Francis (with whom Crowe snagged an audience), to salve canonical objections.
Russell Crowe is very difficult, but it's worth it. He's the real thing. I can tell you this. Russell Crowe was just as difficult before he was an international star as he was afterwards.
I love actors who are wonderful - like John Cusack and Russell Crowe, and wouldn't it be a treat to eventually direct them one day.
There are some actors that are great stars and storytellers, but not necessarily good actors. I'm talking about some - not all - of the people you see in action flms or blockbusters. They're film stars, though not necessarily great actors. And there are those who are great actors, but not necessarily big film stars. Jim Sturgess is both. He's quite obviously a star, the audience likes him, he's a great storyteller and he turned out to be one of the greatest actors I've worked with as well.
I had a good time working with Russell Crowe, Ron Howard and Ed Harris. It was a great cast and Russell worked really hard, doing tons of research and questioning everything.
I had a good time working with Russell Crowe, Ron Howard and Ed Harris. It was a great cast and Russell worked really hard, doing tons of research and questioning everything
The industry has changed. Two years ago I could tell a company I've got Russell Crowe and that would get the film made. Now they'd ask 'And who's the girl?' Just one famous face isn't enough any more.
I love my situation as a spectator. The actors are only a little bit ahead of the audience. The audience discovers the episode when it's screened, but we actors only discover the episode when we get the script, two weeks ahead of shooting. Until then, we know nothing of the evolution of our characters.
What's funny is that there's a lot of great Australian actors in American movies but you don't often hear them do their Australian, original accent.
I am completely and utterly hooked to all the great shows on A&E and Court TV that are about small town murder. These shows like Forensic Files, City Confidential, I just can't get enough of them. It's always the same sort of deal. You know that they interview the actual people that lived through the experience. I miss Paul Winfield as the host of City Confidential, may he rest in peace.
I learn that you can work really hard and still have a great time. That is part of Russell Crowe philosophy.
I knew that we had an obligation and that was to keep an energy in it and try to keep the audience interested. In fact, I asked some of the actors to take a look at His Girl Friday, a Howard Hawks film with Rosalind Russell and Cary Grant, because they talk over each other and there's a great energy.
I think it's easy for directors to stay fresh more than actors, especially once an actor becomes a star. It's hard for Russell Crowe to walk down a street or take a subway. I can fly coach.
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