A Quote by Curtis Hanson
I grew up as a reader as well as a movie-lover, so many of the novelists I admired - and so many of the great filmmakers I loved - were self-taught.
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I think that if we really want to break it down, that non-black filmmakers have had many, many years and many, many opportunities to tell many, many stories about themselves, and black filmmakers have not had as many years, as many opportunities, as many films to explore the nuances of our reality.
I was brought up by a Victorian Grandmother. We were taught to work jolly hard. We were taught to prove yourself; we were taught self reliance; we were taught to live within our income. You were taught that cleanliness is next to Godliness. You were taught self respect. You were taught always to give a hand to your neighbour. You were taught tremendous pride in your country. All of these things are Victorian values. They are also perennial values. You don't hear so much about these things these days, but they were good values and they led to tremendous improvements in the standard of living.
After my parents' divorce in the early seventies, I grew up with my mother, who wasn't super educated herself. But there were a lot of kids from the subcontinent in the neighbourhood, many of whom were academic achievers. So my sister and I grew up around them, and both of us did well in school.
If you are not a New Yorker, when you arrive there for the first time you have the impression you grew up there because you've seen it in so many films. It's been filmed from every single angle and by so many different filmmakers that you know the streets, the sidewalks, the architecture, the cabs, the temper of the people.
One thing that I noticed is having met some former Taliban is even they, as children, grew up being indoctrinated. They grew up in violence. They grew up in war. They were taught to hate. They were, they grew up in very ignorant cultures where they didn't learn about the outside world.
I was never a critic. I was a journalist and wrote about filmmakers, but I didn't review movies per se. I make that distinction only because I came to it strictly as someone who was just a lover of storytellers and cinematic storytellers. And I still am. I'm still a great movie fan, and I ,that love of movies is very much alive in me. I approach the movies I make as a movie-lover as much as a movie-maker.
I grew up when people were afraid to 'come out' as gay. If you asked me how many gay kids I grew up with or went to school with, I would have said none - which of course could not have been true. The truth is I have no idea how many confused and frightened kids I grew up with. They are still out there.
I grew up with a house full of dogs. My mother was a great nature lover and taught us to have almost a religious sense of respect for the natural world.
The first movie [Grown Ups], people loved it and we felt that there were so many characters and so many good comic situations that there was enough material leftover for us to do a sequel.
Americans in the Civil War period were very interested in Heaven and what it might be like, because they were having to face the fact that many of their loved ones were gone and many of their loved ones, they hoped, were in this other realm called Heaven.
I have so many great friends, so many great memories, so many great pictures, so many great songs, so many great relationships with people. I definitely feel, for the last 15 years, that I spent my time very wisely. And that's a great thing to be able to look back at.
The filmmakers are very much in their own kind of bubble. It was kind of a revelation to me and I realized why so many of the great filmmakers are one of a kind people. You know, they have a vision. They may be influenced by other filmmakers, but they don't work with them on anything.
Filmmakers are always in a bubble; along with our crew or writer, we don't really get to socialize with other filmmakers, so the great thing about Sundance is you can see many other filmmakers doing the same thing you do.
His older self had taught his younger self a language which the older self knew because the younger self, after being taught, grew up to be the older self and was, therefore, capable of teaching.
I remember my sisters, they loved a movie called 'The Naked Island.' And the flute was actually playing the main theme. A Japanese movie. A beautiful movie from 1961. I remember hearing this music with a flute many, many times a day at home.
Bernstein was everywhere - Vienna, London - and everyone admired him. Of course he loved Boston, and he did so many great things at Tanglewood. He was the best example of what a conductor should be.
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