A Quote by Curtis Hanson
I wrote a couple of scripts on spec that didn't get made but got some attention, and I then got offers to write professionally.
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You write a spec, and you pour your heart and soul and life into a spec, and you think that spec is the movie that's going to sell and get made... I've never heard of anybody that happened to.
You write a spec, and you pour your heart and soul and life into a spec, and you think that spec is the movie that's going to sell and get made... I've never heard of anybody that happened to. What happens is, you write a spec, people get it, they see your writing, they see you're good, they bring you into their office and they say, "Boy, that spec was really good - we'll never make that in a million years. We have rights to the board game of Monopoly. What do you think about a Monopoly movie?".
I didn't write 'Snow White' for any class, but I got bitten by the screenwriting bug and wrote a couple of scripts in my spare time instead of going to keg parties or something.
I didnt write Snow White for any class, but I got bitten by the screenwriting bug and wrote a couple of scripts in my spare time instead of going to keg parties or something.
I wrote lots of scripts that never got made and they were terrible. I thought they were good at the time. You can't write two scripts and expect your career to take off. Keep writing. Be you. Be original. A lot of people go for a genre, which is fine if you can do that really well, but we all have such layered histories. We all come from a unique background. Write about your past, write about you. Or make stuff up, but make it about something that really matters.
I decided to write [Collateral Beauty] on my own which made it the first spec script I wrote in 11 years.
I was thirteen, and I did a movie that got attention, and I got attention, and I didn't like it - it made me uncomfortable - so I just quit. And then I was trying to figure out what to do and was worthless at everything, so I was like, 'All right, I'll try acting again.'
Some dudes get stubborn and get characterized as, you know, you getting a couple of dollars, selling a couple records, your flow is alright and the people got you gassed, and then you start putting yourself in a bubble and you don't want to blend in with the new and what's going on.
If I die and I gotta couple Grammys on me, more than a couple hits on me, I got some plaques and I got billboards still up and I done touched a lot of people's souls and I'm viral, once that happen then you can judge all you want.
This is it. It's for all the marbles. I'm sitting in the house loading up the pump, I'm loading up the Uzis, I've got a couple of M-16s, couple of nines, couple of joints with some silencers on them, couple of grenades, got a missile launcher. I'm ready for war.
My screenwriting credits in my career are probably not dissimilar to some other ones in the sense that a lot of the scripts you write don't get made, and the ones that do get made are certainly - as a writer, they're not your vision.
I used to write my own versions of famous tales, such as William Tell or Robin Hood, and illustrate them myself, too. When I entered my teens, I got more into horror and science fiction and wrote a lot of short stories. A literary education complicated things and for many years I wrote nothing but poetry. Then I got back to story-telling.
It's very hard to get a movie made. You could spend your life reading scripts that never got made.
When I got into professional wrestling, I started, and I starved for two years, and I finally got some breaks. And then I got the biggest break, and I made the most of it and took wresting to its highest level ever.
I had a job, I got ill, I left the job to get better, and while I was getting better, I wrote some stories. I sent them to some publishers and the fifth one who replied said they'd take them. Then they went bankrupt. Then that bankrupt publisher got bought by a bigger firm. Story: in the end is the beginning, and in the beginning is the end.
When I was 20, I wrote a film on spec and sent it to the BBC. They wrote back, 'Usually, when we reject submissions, we like to offer some encouragement, but in your case, we don't see any point in you continuing.' I took it as encouragement anyway, thinking that only people who write terrible things are capable of writing great things.
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