A Quote by Curtis Hanson

What I try to do is give each actor an environment in which they can do their best work. — © Curtis Hanson
What I try to do is give each actor an environment in which they can do their best work.
Each environment is different, each job is different, and each realm of creativity that they give you is different. You try to do the best you can and put as much time into it as you can, but different jobs have different circumstances come about.
Ultimately your job as an actor is to perform however you're being asked to perform and there's many different procedures as an actor that you're going to run into that you should be prepared for and be ready to go to work and do the best you can and give the director the best thing you can to hopefully give him things on that day that could be shot preserved and out into a canned, then when they go into the editing room that's where a movie's made.
As a director, I try not to implement a way for working, for every single actor, across the board. I try to work with each one, on an individual basis.
Every man's powers have relation to some kind of work; and whenever he finds that kind of work which he can do best--that to which his powers are best adapted--he finds that which will give him the best development, and that by which he can best build up, or make, his manhood.
That's what I try to do each and every week is give my best effort and not give up, no matter what comes at us.
I try to get the best performance an actor can give.
I want a desirable place to work to attract and keep them here. So you try to create an environment for people to do their best work, and be generous on the benefit side.
Whatever I try to do, I always try to give it my best and try to be a killer because, at the end of the day, if you don't work hard, you are not going to get food on your table.
As an actor, you never really set out to be a stand-out character. You just want to do justice to the story and enjoy playing it, and find all the different nooks and crannies of who someone is. For each part that you get, they're all special and you just try to give everything you can to each one. I don't know whether they're going to be stand out in that way or not factors into my work. They all stand out for me.
I want an actor to try to give me what I ask in the best and most exact way possible. He mustn't try to find out more, because then there's the danger that he'll become his own director.
Each actor, every single time you work with an actor, you have to come up with the language that's going to serve them. And that's what allows them to give the performance that you want to nurture inside of them and what you think they're capable of giving.
I think of my best poems as vessels that I can or hope to fill with everything I have. I try to give to them all of the electric complexity. Each one fails at this, of course, but I keep trying - adoring each of them, loving the process, the ebb and flow of it - and each time, the failures fail a bit better.
If you set up an environment where failing is encouraged then you want to try everything. It's obviously the best way to work.
I always feel when you work with an artist and whenever I work with a really good photographer, I try to give him or her their own artistic freedom because that's the way you get the best work or at least the most interesting work.
I try not to read reviews. It's hard not to hear what the critics are saying, but as an actor, I try not to let it in and to just give the best performances I can. At the end of the day, if you're trying to please the critics, you're missing what's really important: being creative and having fun.
As head coach, I try to give clear role clarity, instil structure and create an environment in which players can excel.
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