A Quote by Curtis Hanson
Here [in Wonder Boys] I had this group of characters where you didn't know which were the important ones or what direction they were heading.
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I worked in IT, which is all boys, and I was the queen of the boys. That's what I did. I was the one who knew where the paper towels were, which was very important. And I organized happy hours and things like that.
After a while, the characters I'm writing begin to feel real to me. That's when I know I'm heading in the right direction.
After a while, the characters I'm writing begin to feel real to me. That's when I know I'm heading in the right direction
I had very supportive parents that made the way for me, even at a time when there were very few women - no women, really; maybe two or three women - and very few, fewer than that, African-American women heading in this direction, so there were very few people to look up to. You just had to have faith.
These boys, now, were living as we'd been living then, they were growing up with a rush and their heads bumped abruptly against the low ceiling of their actual possibilities. They were filled with rage. All they really knew were two darknesses, the darkness of their lives, which were now closing in on them, and the darkness of the movies, which had blinded them to that other darkness, and in which they now, vindictively, dreamed, at once more together than they were at any other time, and more alone.
The culture in which you parent, mentor, or educate boys exhorts them to be individualistic and group-oriented at once, but does not give them a tribal structure in which to accomplish both in balance. It used to be that the tribe formed a boy's character while the peer group existed primarily to test and befriend that character. Nowadays, boys' characters are often formed in the peer group. Mentors and intimate role models rarely exist to show the growing boy in any long-term and consistent way how both to serve a group and flourish as an independent self.
We were grooving, at that point, in the same direction, but remember, Roy Hamilton and myself were going into a path and a direction that had no programming.
2011 was a year in which events rarely turned out as predicted, and when much of the world seemed shrouded in turmoil and uncertainty. It was difficult for government analysts back in Washington to know just where they were on the map, let alone where they were heading.
I had been friendly with people who were in the Communist party and all the rest of the Left forces, which were oriented in the direction of mass action.
There was a reason these boys were still alive, though. Something made them stronger than the other kids, the ones who had died in the early days, who had simply lain down and given up, unable to cope with the terrible things that were happening in the world. These boys were survivors. The will to live was stronger than any other feelings.
. . . women were brought up to have only one set of manners. A woman was either a lady or she wasn't, and we all know what the latter meant. Not even momentary lapses were allowed; there is no female equivalent of the boys-will-be-boys concept.
They were involved in a firefight and felt they were surrounded. Whether they escaped from that and were fleeing and went in the wrong direction, we don't know.
When I was four I joined a group of girls who were talking about their party dresses. I thought they were imagining, so I imagined a fantastic pink velvet dress with lots of jewels. But they were simply describing what they actually wore, and they had utter contempt for my obvious fiction. After that, I never joined a group again.
When I was at school, you had to choose; there was a lot of pressure to assimilate. You were an Aussie, or you were one of 'the wogs' - which was everybody else. But I didn't want to be in either group, so I felt like an odd one out.
The challenges for the writer included deciding which secrets were most important, how many secrets revealed were too many, which characters should know which information when, and how the revelations would impact the rest of the family. All of those questions eventually lead back to one: What's at the heart of this book? Where does it want to focus, or toward what does it want to lead us?
The creators of kids' media had no idea they were leaving out that many female characters. They were in utter shock that the worlds they were creating were so bereft of female presences.
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