A Quote by Curtis Hanson
You can dress it up, but it comes down to the fact that a movie is only as good as its script.
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A script is just a script. A good script can be a bad movie, so easily. It's the process that makes it good. You need a good script, don't get me wrong, but you need all those other things to make a good movie. You really do.
Simplicity is the base of everything. At the end of the day if you feel good about yourself, you don't need anything. You don't have to depend on the power of a dress to dress you up. You wear dress the dress, it's not the opposite. It's not only a designer, it's not only just fashion, it's a philosophy. It's a lifestyle.
Any good movie or script usually, if they're doing their job, gives the highest platform possible for an actor to leap off of, and that script was very high up there. It was a very smart, tight script. There was a lot of improv, as well, once we got to the set, but a lot of the original script was also in there.
My priority is the script. Get me a good script, and I will sign the movie. I think I should leave the casting up to the experts!
A horrible script 99 percent of the time means a horrible movie. But if you start with a good script, odds are you're going to have a good movie.
I like the fact that Jack is always wearing a tie except when he's on a mission. I do like it when I get out there and dress up, or dress down, a little bit.
With a good script a good director can produce a masterpiece; with the same script a mediocre director can make a passable film. But with a bad script even a good director can’t possibly make a good film. For truly cinematic expression, the camera and the microphone must be able to cross both fire and water. That is what makes a real movie. The script must be something that has the power to do this.
Every time I do a movie, I'm reading the script, or if it's something I have coming up, I'm reading the script, and I just spend hours and hours and days and weeks and months going over the script and just writing a lot of different ideas down, finding a little dialogue or just coming up with ideas for scenes and moments and all that kind of stuff.
The way I pick movies is, first, if the script is any good. Then, if the script is good, who else is in it, the director, the producer, all that. If you have all that, there's a chance the movie will be great. If the script isn't right, or the director or cast isn't right, you've got no shot in hell.
I always prefer a good script, be it a movie or drama script.
It's possible for me to make a bad movie out of a good script, but I can't make a good movie from a bad script.
The idea that you can dress up in some kind of a fake Indian outfit and get on stage is somehow acceptable in this country. That has to do with the fact that you have the Redskins, the Braves, you have people who dress up like Indians, people dress up like Indians on Halloween. That is acceptable.
Finding one good script is a huge challenge. So I do a film whose script comes and grabs me. Once I finish that, I look forward to the next movie.
I'm in awe of directors like the Coen brothers who can shoot their script and edit it, and that's the movie. They're not discovering the movie in postproduction. They're editing the script they shot.
When you hear Treat's [ Williams] doing a movie, or you'd like to work with Treat again, you hope the script is good. And then you find out the script is good. You go and you do it for the fun of it. And you feel like you can be proud of something.
My style overall is whatever is comfy, whatever I feel like wearing that day that I feel good in. I have some really classic pieces that I can dress up, dress down, wear to the movies or wear to a really nice dinner. And I love a really good leather jacket.
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