A Quote by D. A. Pennebaker
When I did 'Don't Look Back,' I no longer had Time-Life looking over my shoulder, so I could kind of do it as I wanted, and it was like I was really correcting 'Jane.'
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I open journal, I look at the picture and I remember where I was. And I remember the time of day, the temperature of the air, what music was playing, or who was talking to me, or who was looking over my shoulder and what conversations we had and the smells of the earth and the time of year it was. It's all there for me in a way that we don't get looking at a snapshot. Most of us look back at a snapshot from ten years ago and say, where was that? We don't even remember where we were.
A world of "if"s, but it would make no difference. If I could go back in time... but I couldn't. The past was behind me. The best thing now would be to stop looking over my shoulder. It was time to forget the past and look to the present and future.
When you look back over 100 years when stop-motion was really at the dawn of cinema, a lot of the ways it developed was you had stage magicians who were looking to bring their illusions to life, and one of the ways they did that, at the time, was through cinema and stop-motion. They developed these processes.
You saw me before I saw you. In the airport, that day in August, you had that look in your eyes, as though you wanted something from me, as though you’d wanted it for a long time. No one had ever looked at me like that before, with that kind of intensity. It unsettled me, surprised me, I guess. Those blue, blue eyes, icy blue, looking back at me as if I could warm them up. They’re pretty powerful, you know, those eyes, pretty beautiful, too.
You have to have that dog-eat-dog kind of mentality. I think me playing football all my life and having that chip on my shoulder, not really getting the opportunities that I wanted, really carried over to track and field. It allowed me to use all that energy and put it in the direction of being the best track athlete that I could be.
I have to look over my shoulder all the time, be really vigilant because at any moment, someone could be filming me or recording what I'm saying.
I guess it must be a time-of-life thing, looking back and trying to make some sense of who I am and where I've been. It's a weird thing, having to give an account of yourself, to try to make sense of yourself for yourself. I'm not that old, but I have been writing fiction professionally for a long time now. I started so young and went so hard for so long. And I guess it was about feeling I had the space to look over my shoulder.
Well. There was noting to be done for it. Things had happened as they did, time's arrow had yet to be reversed by humans, done was done. If a man spent his life looking over his shoulder at every possible branching of his path he could have taken, he would never accomplish anything. One must learn from history so as not to repeat it, but one must not waste one's energy or time worrying about what might have been. Sorry . . . but people die every day and the galaxy continues on quite well without them. Consider yourself lucky you are one of those as yet unselected by the Fates.
I really live my life looking over my shoulder.
I was in a comfortable situation, I was on tour, it was cool, but it wasn't at all what I wanted to do. So I had to leave it, start over. My friends were like, 'You were doing something, now you're back at day one.' So people kind of look at you different when you start over. Everyone needs to challenge themselves like that.
I didn't really care about money. I really wanted to follow my bliss. I really wanted to do the things that would make my life satisfying, in the fullest sense, and I was never thinking about money when I made those decisions. And I certainly didn't want my life to be driven by money. I'd seen my father's' life driven that way, and, although again, in retrospect, I understand fully why he did that, I didn't wanna live looking for that kind of financial reward. I wanted to live with the emotional, psychological, and even moral reward of doing the kind of work I do, which is, y'know, writing.
I suppose my interest in looking for life elsewhere in the universe really dates back to my teens. What teenager doesn't look up at the sky at night and think am I alone in the universe? Well most people get over it, but I never did and though I made a career more in physics and cosmology than astrobiology I've always had a soft spot for the subject of life because it does seem so mysterious.
When you look back on a historical period of music, it seems so obvious to you what the characteristics of it are, but they're not obvious at the time. So, when I look back at my own work, I could easily write a very convincing sort of account of it that made it look like I had planned it all out from day one and that this led logically to that and then I did this and then that followed quite naturally from that. But that's not how it felt.
I came into music kind of late in life - until I was 17 I wanted to be a spy, wanted to be James Bond, so I had to learn rather quickly and practice longer than most people did to play catch up.
It was a strange thing, to still be in love with your wife and to not know if you liked her. What would happen when this was all over? Could you forgive someone if she hurt you and the people you love, if she truly believed she was only trying to help? I had filed for divorce, but that wasn't what I really wanted. What I really wanted was for all of us to go back two years, and start over. Had I ever really told her that?
Literature is always about bygone times. It's always looking back in time with a certain perspective. I look at bygone life which no longer exists, and as I said, I look at it without nostalgia but without anger, either. I look at it with criticism and with compassion. I look at it with curiosity.
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