A Quote by D. A. Pennebaker
People don't really want reality. They want theater, and that's different.
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Well, enforcement theater is OK if it's reality theater. In other words, obviously, you want to make it clear, you want to make people see that the law is being enforced.
When people go to the theater, people say they want something different, but what they really want is something the same with slight permutations. To really not know what is going to happen next is a hard thing.
The computer is designed to mimic reality. And in an animated world, in my perspective, that's the worst thing to do. I want people to walk into a movie theater and be transported to a different world.
What people really want in the theater is fantasy involvement and not reality involvement.
I love acting. It's way different from singing, but I like really put my ten thousand hours in to be really good. I want to be a premier actor. I want Oscars, I want recognition, and I want to move people just as much as I move people with my music, the same with my acting.
I want to keep working. I want to step away from young adult fiction. I want to do theater periodically - Farragut North reminded me how great it is. I started out in theater. I trained in theater and then I kind of fell into film and TV. I want to work with interesting artists, talented actors, talented directors, and talented scripts. Not necessarily leading roles.
When I put something into motion, the creativity starts to make other people want to jump in, and then a lot of people get employed. I'm just like a shark, in that way. If I stop swimming, I'll die. But, it really is about that shared experience with people. I'm from theater, and that's really what theater feels like.
I want to do theater and I am looking forward to doing more Television and Movies. I also want to direct some plays in theater workshops for people with disabilities.
What we really need to be open to is diversity itself, especially in a business environment. What you want is a plethora of ideas; you want people with different life experience, people with different work experience, people from different cultures to bring something to the table that you otherwise based on your own coming up, you yourself wouldn't have thought of.
The kids from the streets don't want preaching or messages. They want what they can identify with. They want to hear about the reality of their situation, not fairy tales. They don't care if it's ugly; they just want reality.
I was trying to develop a completely new, nonvoyeuristic approach to the female body as something other than a visual object. I wanted to find out what happened when you leave behind the voyeuristic mode and confront people with reality. But that's what was so interesting for me to discover: People don't want to see reality. It's a pretty simple idea, really, this question of how we deal with reality. When something is constructed, when it's projected onto a screen, it's acceptable, but it's different when it's there in front of you in a public space.
I just want people to know the reality, and I want people to see the world as it really is - the world is our playground, and we can do anything we want to do on it. Everyone else needs to see it that way - there are no real rules.
I'm a storyteller, I'm not a literary writer, and I don't want to be a literary writer. People say to me, "Oh, when are you going to write something different?" What? I don't want to write anything different. I'm writing relationships between people, all different colors, all different sizes, all different sexual orientations, and that's what I want to do.
I want to do everything. I just want variety and longevity. I've never filmed a movie before, I want to do that. I want to come back to theater at some point. But I was in New York for like ten years, grinding. I'm ready to be in L.A. for a little while, and really experience film and television.
When people say ceramics is therapeutic and seductive, I think it's really about the wheel. Nothing I've done has that feeling; I feel like I'm fighting with the material the whole time. It doesn't want to be vague. It doesn't want to be asymmetrical. It doesn't want to have different clays combined. It doesn't want to do any of the things I make it do.
I want to make 'Broadway' a word that doesn't have pejorative connotation. I don't want 'musical theater' to be a dismissive term. I want it to be something that people can be proud of, that people can say, 'Look at the possibilities.'
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