A Quote by Daisy Lowe
I kind of feel stuck in the late-Sixties and early-Seventies.
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My mother was in the kind of late-sixties, early-seventies origins of female emancipation. And she was very much like, "You're not going to be defined by how you look. It's going to be about who you are and what you do."
The late sixties and early seventies were kind of a breeding ground for exciting new sounds because easy listening and folk were kind of taking over the airwaves. I think it was a natural next step to take that blissful, easygoing sound and strangle the life out of it.
The late sixties and early seventies were kind of a breeding ground for exciting new sounds because easy listening and folk were kind of taking over the airwaves. I think it was a natural next step to take that blissful, easy-going sound and strangle the life out of it.
In the very early Seventies and the very late Sixties, nobody out here was originally from L.A.
I was a tomboy running around in the garden. I used to play on a local cricket team. I grew up with all boy cousins, for the most part, and my brother. My mother was in the kind of late-sixties, early-seventies origins of female emancipation. And she was very much like, "You're not going to be defined by how you look. It's going to be about who you are and what you do."
My own interest in Yoga came from a vague understanding of Indian thought and Indian philosophy in the late sixties and early seventies and from looking at the idea of meditation and at what meditation was.
We are living in a Millennial culture that is attacking "patriarchy." The culture in America as zeroed in, and it's been going on and it's been building since the modern era of the feminazis began, since the late sixties and early seventies.
As young parents of three girls, living in California during the late Sixties and early Seventies, Meredith and I couldn't help but be aware of the rising level of dialogue, debate, commentary, and proclamations about the place of women in society and about how to raise females in light of this raised consciousness.
I realized how for all of us who came of age in the late sixties and early seventies the war was a defining experience. You went o r you didn't, but the fact of it and the decisions it forced us to make marked us for the rest of our lives, just as the depression and World War II had marked my parents.
Misogyny comes naturally to a young man in his late teens; it is a function of the powerful homosocial impulses that flower along Fraternity Row, that drove the mod movements of the middle sixties and late seventies, that lie at the heart of every rock band formed by men of that age.
The more visible signs of protest are gone, but I think there is a realization that the tactics of the late sixties are not sufficient to meet the challenges of the seventies.
I do think that people who are now in their sixties and their seventies are living a different kind of life than their grandparents led, even in these tough times. A lot of them are more active, a lot of them are still working, which was not the case when our grandparents were in their sixties.
How my film career happened, I don't know. It was unplanned. I'd been in films and TV throughout the Sixties and early Seventies, but it was really 'The Naked Civil Servant' in 1975 that put me on the radar.
As an older person, I do feel an obligation to tell the story about what was really happening in the fifties, sixties, and seventies, as I saw it.
I'd often use a Leslie cabinet on its own in the studio because everyone in the late Sixties and Seventies was experimenting with them. We'd stick anything through a Leslie because it made everything sound so good.
The Church in the United States turned a corner about three decades ago, and the idea that we're going back to the incoherence of the late Sixties and Seventies is, frankly, silly. Let's have a little faith in what the Holy Spirit has done among us these past 35 years.
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