A Quote by Daisy Lowe
Of course, there are times when I've stood next to models and felt like an elephant, but I'm adamant about the fact that I'm not a big girl, I just have the natural feminine figure.
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Well, I was a big fan of the book and therein a huge fan of the girl Precious. And so I felt like I knew this girl. I felt like I'd grown up alongside her. I felt like she was in my family. She was my friend and she was like people I didn't want to be friends with.
I always wanted to be the pretty girl, but I thought I wasn't. When I started acting and getting pretty girl roles, I felt like I was just pretending, and nobody saw I was just this big nerd.
I was always telling girls who said that they wanted to be the 'next' Kate Moss or the 'next' Gisele that it wasn't possible, because the 'next' girl wasn't going to look like anybody else; she would be somebody unique. If you look at all the great models... they all have an individual look.
We all know the big elephant in the room. The big elephant in the room is African governments. Africa has been totally mismanaged and misruled, but nobody wants to talk about that because of political correctness.
So when it came to role models, I looked at presidents' wives. Of course, you're talking about a farm girl who stood in the fields, dreaming, years ago, wishing she was that kind of person. But if I had been that kind of person, do you think I could sing with the emotions I do? You sing with those emotions because you've had pain in your heart.
Dance with a girl three times, and if you like the light of her eye and the tone of voice with which she, breathless, answers your little questions about horseflesh and music about affairs masculine and feminine, then take the leap in the dark.
My dad treated me like a boy because he grew up with four brothers. He didn't baby me. He was never, like, "You're a girl, you can't do this." I never felt like I had to put a feminine spin on anything, I just wanted to do what the boys did as good or better.
When you're a big money earner and your husband isn't, it makes you question how feminine you are. I felt I was less feminine than if I was a supporting wife, or a second fiddle, or 'Mrs. Higgins.
When you're a big money earner and your husband isn't, it makes you question how feminine you are. I felt I was less feminine than if I was a supporting wife, or a second fiddle, or 'Mrs. Higgins.'
I can't tell them what to do!" "Why not?" the other girl demanded. "Honestly, Clary, if you don't start utilizing a bit of your natural feminine superiority, I just don't know what I'll do with you.
Steven Soderbergh really likes Irréversible, that's about all I can tell you. About the making, well, it was a very particular situation, because those people all know each other, and they're all big stars. I felt like the little French guy, really. And I was very flattered to be called on that, of course, but I felt like if I didn't find something to be a little original, different, particular in the movie, I would just disappear.
You might be raised as a boy in a very conservative environment and then somehow, at some point, there was a side of me that felt really powerful and sensual in a way that was more feminine. For me, it's not about living my life as a boy or a girl - but I'm also not trans - it's just that one day you wake up feeling masculine, and one day you wake up feeling feminine. The flickering in between those two states is what's most fertile for me.
I'm a girl, and I celebrate being a girl, and it was really important to me to celebrate the beauty that I could create in a movie like the one I did, aesthetically, in terms of the costumes and the production design. I wanted something big and lush and beautiful and unashamedly feminine.
I stood in the bay window at our house and I sang Away In A Manger. It was my first time on stage, but there was nobody watching. I just remember it was so natural and it was such a secret - like masturbating. I felt like I had to wait until everybody was gone. So I guess six years old would be my most important age, 'cause in that moment, I just knew what I wanted to do.
I think a lot of times photo sessions is just a test, maybe, for models. Sometimes it's for money. I'm going to shoot a girl in a couple weeks in Italy who has been writing me for a couple years. She sends photos all the time and it's kind of like a game. A lot of times people write and then they just want to see if I'm interested. If I say I am, I never hear from them again.
In fashion, of course, the way that women are dressed now - and also a vision of the modern woman, the woman of today. She's very feminine, but at the same time, extremely free. A Saint Laurent woman is actually very Parisian. She's not really a man's equal, she's his adversary. I worked on the catwalk with two models who worked with Yves Saint Laurent for more than 10 years. They're not just gorgeous models, they're more than that - they're very smart and very beautiful. They're more than models, they're really unique; it's personality. It's more than just fashion.
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