A Quote by Dale Carnegie
The only way on Earth to influence other people is to talk about what they want and show them how to get it.
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Nowadays children look at everyone in the magazines and they want to be a basketball star or on a television show, but there is only so many people who can do those things and not that you shouldn't aim or dream for these things, but there are so many other fantastic jobs. So it's good to talk about how to get there and how difficult it is to get there.
People are sitting at their kitchen table talking about how they're going to pay their bills, and we can speak to the hearts of people on that and show them that we respect them. Ultimately, that's how we have to talk to them. We can't talk down to them.
I'm not looking to be the greatest pop star of all time. I want to be an artist. I want to influence people and I want to get people to think about the world, to think and talk to each other and connect. To challenge one another.
You can talk about things indirectly, but if you want to talk how people really talk, you have to talk R-rated. I mean I've got three incredibly intelligent daughters, but when you get mad, you get mad and you talk like people talk. When a normal 17-year-old girl storms out of the house or 15-year-old boy is mad at his mom or dad, they're not talking the way people talk on TV. Unless it's cable.
Older people say, 'Oh I loved you in 'Sense and Sensibility,'' and that's the only film they want to talk about. Equally, there are people who only want to talk about 'Galaxy Quest.' And there's a whole bunch of teenagers who only want to talk about 'Dogma.'
Older people say, 'Oh I loved you in 'Sense and Sensibility,' and that's the only film they want to talk about. Equally, there are people who only want to talk about 'Galaxy Quest.' And there's a whole bunch of teenagers who only want to talk about 'Dogma.'
I think that to me, films are personal affairs. It doesn't mean that I am against other people doing things differently, but I'm talking about what I can do. So I don't feel comfortable going to a new city or a certain class of which I don't have sufficient knowledge, doing research on that, and then writing a story about it I don't think I have the ability of presenting other people on screen in that way. It makes me uncomfortable. This doesn't mean that I only want to talk about myself. I want to talk about what I know.
My humour comes from acknowledging different communities. That's what my fans are responding to - they know that I 'get it.' I understand them. I take the time to understand them. I get more complaints from people when I don't talk about them. I've had guys come up to me after a show and go, 'You didn't talk about Latvians!'
When people use the word hell, what do they mean? They mean a place, an event, a situation absent of how God desires things to be. Famine, debt, oppression, loneliness, despair, death, slaughter--they are all hell on earth. Jesus' desire for his followers is that they live in such a way that they bring heaven to earth. What's disturbing is when people talk more about hell after this life than they do about Hell here and now. As a Christian, I want to do what I can to resist hell coming to earth.
I talk with countries, whether it's the Arab states or in the Middle East, and they talk about how they're glad to see us fighting against Iran. I talk with different countries in reference to Syria, and we talk about how we can get the Iranian influence out. We're talking about North Korea and what we need to do and the pressure we need to put on China. They're happy that we're finally beating up on Russia for what they've done in the Ukraine.
Other people can talk about how to expand the destiny of mankind. I just want to talk about how to fix a motorcycle. I think that what I have to say has more lasting value.
If you want to get to know somebody you don't ask other people: 'How is she?' You talk to the person herself. And then you don't ask about facts like 'date of birth' or 'profession of parents.' but you talk about essential questions and themes in life.
I think maybe the rural influence in my life helped me in a sense, of knowing how to get close to people and talk to them and get my work done.
People feel that decisions about their jobs, the way their children are educated, how their church functions, and products they buy are made by someone and some place so distant that they can't find anybody to talk to that has any influence over them.
I have been so blessed not only to talk about things that I want to talk about in my industry, but also to have a platform - and people want to hear about it. People want the change; people want the difference; people want to know what's going on. People want to see themselves in the industry that for so long has ostracized girls of my size.
There are little Indian girls out there who look up to me, and I never want to belittle the honor of being an inspiration to them. But while I’m talking about why I’m so different, white male show runners get to talk about their art. I always get asked, ‘Where do you get your confidence?’ I think people are well meaning, but it’s pretty insulting. Because what it means to me is, ‘You, Mindy Kaling, have all the trappings of a very marginalized person. You’re not skinny, you’re not white, you’re a woman. Why on earth would you feel like you’re worth anything?’
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