A Quote by Damian Lewis

Writing and directing might be a red herring, and really I'm just re-examining what it is to act, to do it well and do it properly. — © Damian Lewis
Writing and directing might be a red herring, and really I'm just re-examining what it is to act, to do it well and do it properly.
I'm not a vegetarian. Now, don't get me wrong - I like animals. And I don't think it's just fine to industrialize their production and to churn them out like they were wrenches. But there's no way to treat animals well when you're killing 10 billion of them a year. Kindness might just be a bit of a red herring. Let's get the numbers of animals we're killing for eating down, and then we'll worry about being nice to the ones that are left.
Well you know, Woody doesn't rehearse, as opposed to my own method of directing where I really work with actors around a round table for weeks, examining the values of the material, so his technique is very different.
I knew with The West Wing that that wasn't going to be for very long, that I was just the red herring.
You can never really tell, it's kind of a red herring until you see the project I think. You just know if you like working with someone or not, and he does have a real sweetness about him, I think.
I really have very little aspirations about acting because I think that probably the best things have come and gone. I would like to focus on writing and directing. I love writing and directing even though writing can be incredibly painful and lonely. I get great satisfaction from doing it.
If the act of writing is the act of putting aside the masculine, then you might in that way, it may sound almost crazy to say this, say that the act of writing, for a woman, could be a homosexual act.
What's so exciting and terrifying about the writing process is that it really is an act of exploration and discovery. With all of us, not just writers, there is a sort of knowledge of the other. We have a lot more in common than we realize, and I think writing is really a sustained act of empathy.
I just really like writing and making television shows. There are ego rewards in doing battle with other television programs in prime time in the main season. I suppose there are times when I might look at that and think that's the major league. But when you look at it, ultimately would I really want to gamble my livelihood and my ability to connect with my fan base or write a show that I really like writing, or in some cases direct a show that I really like directing, for the sake of winning an ego battle? It's totally not worth it. That stuff is so ephemeral.
I just woke up one morning, and I painted my Maybach red - I wrapped it, matter of fact, red - and I thought, 'I might as well change my album to 'Still Brazy' 'cause I gotta be real with myself.'
I would consider directing. I think directing myself would be tough, but I'm definitely interested in directing. I might start off directing a play before I move to a film.
I'm directing the Sky show. I'm not going to be in it. I'm just writing and directing it. So that'll satisfy that part of my brain.
I don't see myself directing things I don't write because, to me, directing was just an extension of the writing process.
Writing and directing, to me, was the logical evolution from my life as an actor: going from telling someone else's story to actually creating my own. Perhaps one day I will do all three: write, direct, and act in the same production. That might get a little hectic, though.
Neither fish, flesh nor good red herring.
I'm kind of like a combination of a red herring and a fake-out.
I have considered the directing, actually. Not so much the writing. That is not really interesting, but the directing is really interesting to me.
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