A Quote by Damien Chazelle

I would break a lot of cymbals. You whack the cymbals hard enough, and they will crack in half. Drums are not actually as sturdy as they look. They're actually somewhat fragile instruments.
I like referring to the saxophone and having a guitar lick instead. Same with the cymbals; having the cymbals and not playing cymbals.
I started playing drums at a pretty early age because my parents were musicians. My dad was an amazing multi-instrumentalist and I can play a lot of instruments, but my dad actually played all the instruments I could play and then added another twenty five or thirty five different categories on there ...he was incredible! He got an act actually in Vegas, my parents Bobby and Phyllis Sherwood.
I take my job very seriously and I work the best that I can on every drum that I hit. I want all the drums and cymbals to sound the best. I strive for perfection and I won't take anything less.
A lot of modern amps and preamps sound great when you're jamming by yourself, but don't hold up in a band situation. The sound isn't dense enough, and the lows and highs tend to get soaked up by the bass and cymbals.
Ourchestra: So you haven't got a drum, just beat your belly. So I haven't got a horn-I'll play my nose. So we haven't any cymbals- We'll just slap our hands together, And though there may be orchestras That sound a little better With their fancy shiny instruments That cost an awful lot- Hey, we're making music twice as good By playing what we've got!
If the church is what it should be, young people will be there. But they will not just 'be there' - they will be there with the blowing of horns and the clashing of high-sounding cymbals, and they will come dancing with flowers in their hair.
Parisians are so besotted, so silly and so naturally inept that a street player, a seller of indulgences, a mule with its cymbals,a fiddler in the middle of a crossroads, will draw more people than would a good Evangelist preacher.
The merry-go-round was running, yes, but... It was running backward. The small calliope inside the carousel machinery rattle-snapped its nervous-stallion shivering drums, clashed its harvest-moon cymbals, toothed its castanets, and throatily choked and sobbed its reeds, whistles, and baroque flutes.
Crack is cheap. I make too much money to ever smoke crack. Let's get that straight. OK? We don't do crack. We don't do that. Crack is whack.
Time will break all of the old habits and create new ones for you, and in the process, you will try to handle this immense pain with dignity (because you're that kind of girl). You actually will have to move on and you actually will be fine and that's when he may actually miss how incredible and special you are.
I had been composing just for myself, and people would say I played so orchestrally, and wondered if I thought about having someone write a piece for me for an orchestra. And I thought, I don't want someone else to write that. You know I finally had made an overhead chart of my drums and what pitches the cymbals and toms were tuned to, and what have you. And I started to compose just with what I had for my solo drumming.
My mum had a cousin that had played when he was younger. When I showed an interest in drumming, he showed me how to mummy-daddy roll and that set me up for a bit. And to be honest, it's all about the sound, the noise, the rattle and hum. Who wouldn't want to make a fantastic noise with drums and cymbals?!
Oddly enough, I've always - I've never actually seen "The Alamo" itself, actually. So I don't really have the association of "Green Leaves of Summer" as being "The Alamo" theme. Oddly enough, I grew up watching kung fu movies. They would use the theme "Green Leaves of Summer" in a lot of needle drops in kung fu movies a lot. So I was actually more familiar with it in a Bruce Li movie than I was actually from the John Wayne film.
If Bill jumps into something that relies on a lot of cymbals, I'll jump into something that relies on a lot of skin sounds; if he goes into metal tones, I'll go into wood, and so on. I basically play in his holes.
I don't think any other city actually has anyone who has actually documented the way they have lived or documented the city themselves. If you want to look at New York in the last half of the 20th century, into the 21st, you would look at Bill Cunningham's archives.
It's actually a good thing if you do reference checks on somebody and half the people you call say they are a micromanager and the other half say they actually give me a lot of responsibility. That's a feature not a bug.
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