A Quote by Damien Chazelle

My version of a stress dream is, really, showing up on a concert stage with a drum set and not knowing the chart. — © Damien Chazelle
My version of a stress dream is, really, showing up on a concert stage with a drum set and not knowing the chart.
If I do a song where I'm angry, when it's time to perform it live I'm not mad, I'm happy. I'm at a concert. But I have to somehow drum up that rage. That's acting.
Sometimes I wake up, and I'm like, 'Don't dream it. Be it. You're really living the dream. You are everything you've ever desired or set out to be. You're doing it.'
When Mr. Ludwig invented the bass-drum pedal, that's what made the drum set possible.
I had no idea 'The Dream Weaver' would be so successful. Everything just fell into place with that album. I pioneered a number of ideas with that album and subsequent tour. The all-keyboard approach with no guitars was a new one, and I was one of the first to use a drum machine in concert. It was an amazing time.
I love music but I never went to a concert in my life. The first time I went to a concert I performed on a stage with Drake.
Have a goal. Know where you want to end up. Knowing where you want to end up is a lot easier than figuring out how to start and how to get there. You will figure out how to get there. Do not chart your career. Trust me; you do not want to chart your career.
America is not so much a nightmare as a non-dream. The American non-dream is precisely a move to wipe the dream out of existence. The dream is a spontaneous happening and therefore dangerous to a control system set up by the non-dreamers.
I really just wanted to play the drum set and match that. I was never really into the percussion thing.
I wanted to do what Marilyn Monroe did (during the Korean War), when she went and just set up a stage and did a concert for the troops all by herself. It's so amazing seeing that one woman just going somewhere, this beautiful sex kitten, who's basically a pinup, which is what I've always aspired to be.
The darned thing about mandolins is they're really hard to turn up as loud as you would need to be to play with a drum set. They cease to sound like mandolins.
I grew up in music theater playing to the audience - singing and dancing and showing off. That's really my background. But the camera's different. I think I'm more at home on stage.
The only time I can ever remember Steven crying over any of it was after my treatment, when I tried to use my foot on his bass drum pedal, and we realized I could never play a drum set.
People don't understand what music really is. I've been a musician since I was 6 years old. I got my first piano, was playing recitals at 8, 10 I picked up a guitar, 12 I picked up my first Pearl Master drum set. I was an artist before I was an 'artist.'
I played the drums. I basically started off in drum line. So it was just straight percussion. Then I got into the drum set. I was in the jazz band and then all through high school I was in orchestra.
One of the most rewarding things is meeting someone after a concert who has never been to a concert before. It is incredibly rewarding when they say, 'This is my first classical concert.' It is really exciting for everyone.
I was a slightly overweight, spiky-fringed, rat's-tailed '80s girl who was just showing up. That's all I've ever really done to get here, just kept showing up. Even when I didn't want to. That's what I do.
This site uses cookies to ensure you get the best experience. More info...
Got it!