A Quote by Dan Trachtenberg

I grew up loving Ridley Scott and Tony Scott and Michael Bay and Adrian Lyne. — © Dan Trachtenberg
I grew up loving Ridley Scott and Tony Scott and Michael Bay and Adrian Lyne.
Ridley creates a very immersive world, so when you walk up to a Ridley Scott film set you're in Ridley Scott's imagination, and it's a really comfortable, cool place to be.
I don't have a style. I've never thought of myself as a stylist like the visual stylists I admire enormously - Adrian Lyne, Ridley Scott, Alan Parker - in which every shot has a great idea in them.
Tony Scott, Walter Hill, Michael Mann - I'm a big action fan, full stop. And even though Michael Mann is the more celebrated film-maker than Tony Scott, I love them both in different ways.
Ridley Scott obviously an iconic director, he's made some fantastic films. Obviously a very smart, very tasteful, thoughtful guy. So yeah, I'm in good shape; got Ridley Scott with The Cartel.
I'll be working with Ridley's [Scott] brother, Tony, again, someone who needless to say we've had a great amount of success together. I trust him - so I won't have to think about it or I'll try not to.
I came out of film school and went after movies that I thought audiences wanted to see or that the studios wanted, as opposed to the movies that I wanted. Over the last 10 years, I've gravitated more and more toward the films that I grew up loving - classic Spielberg, Lucas, James Cameron and Ridley Scott movies.
On a daily basis, you're working with Steve Carell; you're not working with Ricky Gervais. You try a line, and you can't be writing for David Brent. You have to be writing for Michael Scott because Steve is Michael Scott.
In the old days, when a star left a still-thriving hit show, they'd celebrate by killing him or her off. But 'The Office' dispatched Michael Scott in a crueler and more final way: they made him normal. Since we're talking about Michael Scott, 'normal' might be stretching it, obviously.
Ridley Scott - not that he shared it a lot, but you can just see that everything he did, Ridley always seemed to be just so clear. I love that about him.
Scott Eastwood always came in and did a good job. And he's now graduated to better roles, and the chicks are all calling and asking where Scott is. They used to ask where I was. Now they're going, "What about Scott?"
Establishing mood through pictorial means is the director Ridley Scott's most notable talent. There may be no working director more accomplished at wringing texture out of the color blue than the prodigious and now prolific Mr. Scott; you'd swear that with his dazzling washes of blues and sand tones, he was inventing additional hues on the spot.
It's interesting that some people reading the comics see Scott Pilgrim as a blank slate in that they like to imagine themselves as Scott Pilgrim, so it's interesting that there are two kind of schools of thought about the character. One is, like, Scott Pilgrim is awesome. The second is Scott Pilgrim believes himself to be awesome.
I was so excited to work with Ridley Scott. Who wouldn't be?
I didn't realise that Ridley Scott has never won an Academy Award.
I was a big fan of Luc Besson and obviously Ridley Scott.
I admire Ridley Scott, and I'm thrilled to be making a movie for him.
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