A Quote by Dana Walden

It's hard to tell why something touches a zeitgeist and when that same show doesn't in other places. — © Dana Walden
It's hard to tell why something touches a zeitgeist and when that same show doesn't in other places.
I don't understand racism. We are all the same and I have the perfect hypothesis to prove it. I play to all those countries and they cry in all the same places in my show. They laugh in the same places. They become hysterical in the same places. They faint in the same places and that's the perfect hypothesis. There is a commonality that we are all the same.
Are there not some places where we seem to breathe sadness? — why, we cannot tell. It is a chain of recollections — an idea which carries you back to other times, to other places — which, very likely, have no connection with the present time and place.
Why do they kill people of other religions because of religion? Why do they hate the Israelis and despise their right to exist? Why do they hate each other? Why do Sunnis kill Shiites? How do they tell the difference? They all look the same to me.
There are some people who have helped to advance me and other girls, but the fashion industry is always behind popular culture. They think they understand the zeitgeist. They don't know anything about the zeitgeist.
Failure turns into success. It looks like it happens overnight to other people, but it's just one person's determination to get past a certain goal. Everybody thinks it's an overnight success, but it's not. It's something someone has been working very, very hard on, and more than likely, has been too embarrassed to tell anybody. No one really wants to show other people their failures. They want to show their success.
Hospitals are places that you have to stay in for a long time, even if you are a visitor. Time doesn't seem to pass in the same way in hospitals as it does in other places. Time seems to almost not exist in the same way as it does in other places.
I suppose the problem ... is that we have an inside and an outside. We've got problems both places, but it's so hard to tell where the one stops and the other takes up.
They say you can do honest, sincere work for decades, but you're given in general a 10-year period when what you do touches the zeitgeist - when you're relevant. And I'm aware of that, and I don't want my time to go by.
I must tell you that Telugu film industry is one of the most comfortable places I found a woman can be. They do make a lot of mass films, but from my experience as an actor, I can tell you that people are very nice and welcoming. In fact, it's slightly more difficult in other places.
I didn't want to write sketch comedy after 'Mr. Show.' I felt like, after 'Mr. Show', why would you want to go work at any of the other places that existed then?
Liberalism, conservatism, that's irrelevant stuff to Trump. He looks at things in an entirely different way. This is a reason why we, as conservatives, have to remain vigilant as we can to the ideological component of what's going on here, because as it succeeds, we need to be able to tell people why it's working and at the same time be able to contrast and say why it didn't work when the liberals ran the show. This is an ongoing effort.
I can't tell you how hard I worked the last year. In fact, I worked so hard that I know I can't maintain that same work level in 2001, so I've got to quit something.
We know that mental illness is not something that happens to other people. It touches us all. Why then is mental illness met with so much misunderstanding and fear?
I wish there was a bar I could send opposing teams to and get them hammered or something - I could tell my buddies in New York to leave their places open or something. Playing for the Yankees, guys come at you extremely hard. I have to be ready or I'll be embarrassed.
I wish there was a bar I could send opposing teams to and get them hammered or something - I could tell my buddies in New York to leave their places open or something. Playing for the Yankees, guys come at you extremely hard. I have to be ready or I'll be embarrassed
I—I adore you, too. Well, I don't know if I adore you. That's not really the word I'd use. But I—I—" I managed to wrench it out. God, this was hard! "I love you." "Of course you do," he said, totally unsurprised. "WHAT? I finally tell you my deepest, most personal feelings and you're all, 'Yeah, I already got that memo'? This, this is why you drive me nuts! This is why it's so hard to tell you things! I take it back.
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