A Quote by Dania Ramirez

When I was young, people would say I was ugly, but I never saw that. I would look in the mirror and say, 'They're idiots. You are so cute!' — © Dania Ramirez
When I was young, people would say I was ugly, but I never saw that. I would look in the mirror and say, 'They're idiots. You are so cute!'
It was funny to run into girls I knew after the movie came out because they would say, 'I saw you on 'Magic Mike,' but there was this look of embarrassment. It was very cute.
Confidence starts at home, and something my mother never did was look in the mirror and say she was ugly or fat.
Years ago, when I first started wearing hair extensions, I would get mail from young girls, or young girls would come up to me and they would say, 'Tyra you have the most beautiful hair, like I could never grow hair like that!' And I would say 'Child, this is a weave!'
I wanted to be a visual artist, but I realized I was more affected by what I read than by what I saw. I would go to a show at a museum and look at a painting and say, 'Oh I wish I owned that,' and that would be the end of my relationship with a painting. With a short story I would read or with an author I would discover I could be haunted. It would affect my mood and affect the way that I saw the world. I thought, wow, it would be amazing to be able to do that.
The society to which we belong seems to be dying or is already dead. I don't mean to sound dramatic, but clearly the dark side is rising. Things could not have been more odd and frightening in the Middle Ages. But the tradition of artists will continue no matter what form the society takes. And this is another reason to write: people need us, to mirror for them and for each other without distortion-not to look around and say, 'Look at yourselves, you idiots!,' but to say, 'This is who we are.
We look at the Mona Lisa and say we're going to do our version of the Mona Lisa. We mirror it. But exaptation would say that painting the Mona Lisa would lead to a whole new place... Bugs Bunny.
People would say: 'Look what he has on his face, look at his head. What is this scar? It's so ugly.' Wherever I went, people would look at me. And not because I was a good person or because my name is Franck or was a good footballer, but because of the scar.
I would rediscover the secret of great communications and great combustions. I would say storm. I would say river. I would say tornado. I would say leaf. I would say tree. I would be drenched by all rains, moistened by all dews. I would roll like frenetic blood on the slow current of the eye of words turned into mad horses into fresh children into clots into curfew into vestiges of temples into precious stones remote enough to discourage miners. Whoever would not understand me would not understand any better the roaring of a tiger.
The first thing I would say to young writers is, "Don't do it, unless you can't stand not to do it." And the second thing I would say is, "If you do do it, and get into it, the constant rule you should have in mind is to explore your material." It sounds simple, but it isn't, because people often want to get from A to B, and they don't stop to look at what is in the material.
Comedy is a weird thing. You have to understand, it's the weirdest thing you can do. There's no consensus. It's not like... People say, "I saw Saving Private Ryan, and that scene on the beach is just so moving." I can't imagine anyone who would say "I don't find that moving!" But you can show, whether it's Laurel & Hardy or the Three Stooges or Jiminy Glick In Lalawood, some people are going to look at it and say "That's the funniest thing I've ever seen." Some people will say "I don't get it." Who's right, who's wrong?
When I was growing up, my dad would encourage my brother and I to fail. We would be sitting at the dinner table and he would ask, 'So what did you guys fail at this week?' If we didn't have something to contribute, he would be disappointed. When I did fail at something, he'd high-five me. What I didn't realize at the time was that he was completely reframing my definition of failure at a young age. To me, failure means not trying; failure isn't the outcome. If I have to look at myself in the mirror and say, 'I didn't try that because I was scared,' that is failure.
I always saw myself as really ugly. My father even told me I was ugly because I would shave my head and look like a boy.
I get recognized by some people in my community, but not a lot. In fact, they would say, 'What do you do?' And I would say, 'Well, I did 'The Bernie Mac Show.'' And they would say, 'Oh, really? Well, do you know so-and-so?' And I'd say, 'Yeah, I hired them. I was the boss!' They don't believe it.
When it comes to idiots, America's got more than its fair share. If idiots were energy, it would be a source that would never run out.
I've had people appear in my life that have helped me. I had more fun. I approached it thinking how would Jack Nicholson, "How would he do it?" So that's really what I did was I created this Gremlin character. So now people come up and they say 'Oh The Exorcist!'.. and I'm like "Did you see Repossessed?" They say either no or yes or whatever, and I say look at this, have a laugh, and then go back and look at a masterpiece.
I could not do what I do, and teach a class, and never miss a deadline, never be late for anything if I was a lush, OK? I would really love to read a piece that said, 'He is not a lush.' That would be fabulous, it would be a first, I could show it to people and say, 'Look!'
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