A Quote by Daniel B. Shapiro

The imagery is very much released from reality. It's not nailed down to specifics of the words. They're painting a picture, not telling linear stories. — © Daniel B. Shapiro
The imagery is very much released from reality. It's not nailed down to specifics of the words. They're painting a picture, not telling linear stories.
You spend so much time as a writer telling straight and linear stories.
When I was painting, I was painting stories I was telling myself. When I look back at it, moving to writing was a very natural progression for me.
If I had to compare myself to another artist, I wouldn't. I feel like my lyrics are really strong. I'm good at painting pictures and telling picture stories.
"Real" drawing is about specifics. It's about describing an object as accurately as possible. In a comic strip you have to draw a picture of the idea of the object. You have to draw the word that you are picturing, then you have to mix in specifics with it for it to work as a story. But you are still working with drawn words.
Liquid, flowing words are the choicest and the best, if language is regarded as music. But when it is considered as a picture, then there are rough words which are very telling, they make their mark.
I tried to find a language for the film - not just telling stories. I picked the Picasso painting because it said more than I could explain. I need images, I need representation which deals in other means than reality. We have to use reality but get out of it. That's what I try to do all the time.
Painting is... a richer language than words... Painting operates through signs which are not abstract and incorporeal like words. The signs of painting are much closer to the objects themselves.
Why the connection with musicians? I think it's because in the end we're doing very similar things - we're telling stories, we're using poetic, lyrical language, and we're distilling stories down into their simplest form. We're both telling a story in two languages - word and music for them; and word and image for me.
Whatever is not nailed down is mine. What I can pry loose is not nailed down.
I don't actually see that much difference between telling stories in journalism and telling them on film. The tools are very different, but the basic idea is the same.
Imagery is powerful. Imagery is provocative - satellite imagery much more so because it is from space, and it allows us to get this perspective that we don't have to have otherwise.
When I was first painting the Monopoly guy I received a criticism. People said, "You're just painting cartoon characters, anyone can do that," but I'm actually a very skilled artist. That's why I released a Jack Nicholson portrait right after that that was very detailed in the face to show my skills.
[Donald] Trump has quietly rolled out an immigration plan with specifics and everyone wants specifics. He's got immigration with specifics, a black and Hispanic outreach plan with specifics.
How we experience memory sometimes, it's not linear. We're not telling the stories to ourselves. We know the story; we're just seeing it in flashes overlaid.
It all comes down to what is best for those particular genres, and if you believe in the stories that you're telling and the characters that you like that you want to tell those stories with, you can pretty much apply it to any genre.
I don't make unconventional stories; I don't make non-linear stories. I like linear storytelling a lot.
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