A Quote by Daniel Espinosa

I looked at early movies with Robert Redford, and I like how Robert, even though he had that automatic charisma and was a very verbal person, he always played those more silent characters and played within the scene and never overacted.
I think what Robert Redford established is amazing; thank god for Robert Redford. He's set an amazing example with Sundance and I hope to follow that in my own way.
I met Robert Redford at the Golden Globes because he stepped on my foot. He stepped on my foot as he was walking by, and he was like, 'Oh, I'm so sorry!' And I was like, 'It's all right. Robert Redford can step on my foot.'
People think of me in the same breath as Robert Redford and Robert De Niro.
I lost a lot of jobs because I looked too much like Tom Selleck... or Robert Redford.
In movies like 'Cape Fear,' I never played verbal characters. Now, as a grown-up, I relish playing people that are not like myself. That's what I enjoy about acting.
Danny Boyle has been a huge, has had a huge effect on me. His movies, early movies like Trainspotting and those movies. So I've always loved the energies of those movies. But also, that they are very focused on the characters. Cause it's not only gimmickery, it's not only about visuals. You feel a real need, a love for the main characters. So that's what I've always loved about watching movies myself.
Once, somebody asked Robert Schumann to explain the meaning of a certain piece of music he had just played on the piano. What Robert Schumann did was sit back down at the piano and play the piece of music again.
I always related most to Steve McQueen because he was more of an outcast than Robert Redford or Paul Newman.
Our early days - our audiences were always very sparse. We played very obscure places in very obscure parts of the world, mainly Kansas. We played frat parties, we played high school proms, we played clubs.
My guitar is a 1934 National Trojan. They call it a resonator, which is the guitar guys played in the honky-tonks before amplification. It's very loud. It's the type of guitar that Son House and Robert Johnson played.
You know I grew up on the Batman movies, and they had some terrific actors in, but you know a lot of the other ones - it wasn't always the case that you had people the caliber of Jeff Bridges or Robert Downey, so to kind of show up and work with Jeremy Renner or Robert or with Mark Ruffalo, any of them, Chris Evans, Chris Hemsworth, the caliber of people you're acting with, to me, is really fun. From the first day I started doing scenes with Robert, it's been one of the funnest experiences I've ever had.
When you look at the early-'30s movies, like King Kong, the codes of acting are very similar to those of silent movies. In some of the silent movies - the good ones, the ones done by the best directors - the acting is very, very natural.
When you look at the early-'30s movies, like King Kong, the codes of acting are very similar to those of silent movies. In some of the silent movies - the good ones, the ones done by the best directors - the acting is very, very natural
Anyone can play Henry VIII. I mean, even Robert Shaw... has played it.
I think I have a pretty good ear. I mean, even just starting with, like, Austin Powers, where I did young Robert Wagner. People were, like, "How do you imitate Robert Wagner? What does he sound like? What does that even involve?".
I am a musician by rights, and I played in Asbury Park in the old African Room in the Robert Trent Hotel next to the Albion. That was in the early '60s.
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