A Quote by Daniel J. Boorstin
The cities of Italy are now deluged with droves of these creatures [tour groups], for they never separate, and you see them, forty in number, pouring along a street with their director - now in front, now at the rear, circling them like a sheep dog - and really the process is as like herding as may be.
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When I look at cities now, I don't see them in the present. This is the decaying infrastructure of our existing cities. Years from now, none of this is going to be here. New cities are going to rise.
There have been times in my adolescence where I gave up. I was like, 'I'm just never going to be pretty. I'm never going to be like one of those people on the front of magazines.' It always seemed really strange to me that the projection of how people are in advertisements looked nothing like the people who were actually buying them. You know what I mean? I never understood that mismatch, and now I really start to see that the people you see in the media are a lot more like people actually are.
Now its raining its pouring the old man is snoring now I lay me down to sleep I hear the sirens in the street all my dreams are made of chrome I have no way to get back home I’d rather die before I wake like Marilyn Monroe and throw my dreams out in the street and the rain make ‘em grow
Anyway, now she thinks of Estha and Rahel as Them, because, separately, the two of them are no longer what They were or ever thought They would be. Ever. Their lives have a size and a shape now. Estha has his and Rahel hers. Edges, Borders, Boundaries, Brinks and Limits have appeared like a team of trolls on their separate horizons. Short creatures with long shadows, patrolling the Blurry End. Gentle half-moons have gathered under their eyes and they are as old as Ammu was when she died.
Well, at this point, it looks like the Iraqi forces are moving into the city center itself. Now they've been working on this for seven months now. The American military's been pushing them and encouraging them to really get into the city and rout ISIS. So now they're finally doing it.
The justification - the idea that we have a right to invade another country and determine another people's destiny - is frightening. And I fear really for the future of that occupation. What happens now, and twenty years from now, and forty years from now, given our case? People in the United States may feel like when we don't see it on CNN twenty-four hours a day, it sort of disappears. But it doesn't disappear for the people who have to live under occupation - and their children and their children's children.
And now I see what has been there all along, what I've noticed but never truly understood until now. Eli is as uncertain as I am, as we all are. Life has surprised him like it has me. Has hurt him like it has me.
There are a lot of people that never thought I was going to be the guy that I am now. Now when I see them, it's fun to see how people are. I don't think they're being fake. I think now they just see me from a different eye.
Quite honestly, I never thought it would be possible for Asians to make it in the States. But now I feel like it's totally changing. You see so many Asian celebrities now, and more and more of them are taking bigger roles in movies. I feel like everything has changed.
All cats can see futures, and see echoes of the past. We can watch the passage of creatures from the infinity of now, from all the worlds like ours, only fractionally different. And we follow them with our eyes, ghost things, and the humans see nothing.
Some people have a phobia of midgets. They're, like, scared of them. I have the opposite - I see them, and I want to hold them down, cuddle them, be like, 'Come here, you little nugget. Who's your mommy now?' So cute!
I love old cookbooks. I just got such a kick out of them, how the color would be way off or fake looking. The cook books now look so much like magazines, you'll never make food that looks like that. I'd rather see it the ugly way than they way they do it now.
I've said before, the number one thing that we have to work on is protecting the gay community from sharia law. Now, in the United States, it's probably not a big issue right now, but my brother-in-law is gay, and his partner and I would like them to be able to travel any place in the world without them risking harm.
I really do feel like Los Angeles is my home now and, as cliche as this sounds, I felt like I found myself here and I really know who I am now. There was a long period like I was drifting or floating through life, and now I feel like I have a definitive target - and future.
I'm the most experienced cinematographer in this medium, so there's no point in having that extra conversation in the middle of the loop. You're making the film in relation to what's happening now, and you can't really affect what's happening now. It's not like you're in control of anything in front of the camera. If you're calling yourself the director and you're not the cinematographer, I think you're kidding yourself.
I'm kind of happy to know there may be some kid or teenager now who might never have had the chance to see my Broadway performance, but gets a taste for what it might have been like now, because they can see Clint Eastwood's film."
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