A Quote by Daniel J. Boorstin
The mind is a vagrant thing ... Thinking is not analogous to a person working in a laboratory who invents something on company time.
Answering criticism that the book for which he won a Pulitzer Prize was written in the years he had been employed at the Smithsonian. He specified that did not write on the premises there, but only at home outside of working hours.
Related Quotes
The mind is a vagrant thing.... Thinking is not analogous to a person working in a laboratory who invents something on company time.
I lived for four years in the 1930s with these individuals and the only time that I wasn't thinking about dealing with physical suffering is when I was working on this book. I've never been more alive as when I worked on this book.
I don't really like to write at a desk. I like to write when driving in a car. ... Once you're working on it, you're working on it all the time, and sometimes stuff'll come in the middle of the night, in a dream or something. Your mind is working on it all the time.
What an astonishing thing a book is. It’s a flat object made from a tree with flexible parts on which are imprinted lots of funny dark squiggles. But one glance at it and you’re inside the mind of another person, maybe somebody dead for thousands of years. ... Books break the shackles of time. A book is proof that humans are capable of working magic.
No man can make good during working hours who does the wrong thing outside of working hours.
If you factor in not just who's doing what at home, but how much more time working fathers are spending on work outside the home, on average they spend two hours more per day outside the home.
I was certainly seriously emotionally affected [ when Louise Hillary and Belinda Hillary died], but we were building the hospital at the time and I decided that the only thing to do was to carry on and complete the hospital - and it was a jolly good hospital too, I might say. So I really did it by working and working on the things that Louise and I had been working on.
Yashraj liked my writing style, and they had a concept in mind, so they hired me to write. That's how 'Luv Ka The End' was born. It was fantastic working with them. They are very professional. For the first time, I did not have to ask for my cheque. It was sent home, in time.
My father was only born something like 30 years after the Civil War ended, 35 or 40. He was born closer to that than the era in which he died. He was born in 1891, no television, no phones, barely any electricity. He wrote a book to all of us that was really just a compilation of the letters that he had written over the years to my grandmother when they were courting, in the horse and buggy era. Everybody said, "When did you have time to do this?" Relating their own lives to his. He said, "What do you mean, when did I have time? This is all we did." There was no TV, none of that.
Perhaps the worst example of Smithsonian contempt for Jesus Christ is seen in its 1994 publication of a coffee-table book entitled Smithsonian Time Lines of the Ancient World ... This flagrant display of religious bigotry and discrimination in a book officially sponsored by the Smithsonian is intellectually and academically dishonest.
I watch something in the gym, try to do it and may not get it. When I go home that night and my wife is talking to me and I'm not answering her, it is because I'm visualizing that thing I'm working on. I'll do that all day long. Before I go to bed I'm still thinking about it, and that happens until I can see myself doing it.
I had written a book. For various reasons, the publishing industry had decided that my book was going to be 'important.' The novel had taken me 12-and-a-half years to write, and after being with the book for so long, I had no real perspective on the merits or demerits of what I had written. I hoped it was good, but feared that it wasn't.
I got a part opposite Edward G. Robinson in a play called Middle of The Night, which Paddy Cheyafsky had written. It played for a long time because everybody just loved Edward G. Robinson, everybody in New York wanted to see it. John and I were married at the time and put into a position where I was working very long evening hours and he was working in the daytime and so there was a lot of spare time.
I started graduate school in 1971, I started working at the Smithsonian in the festival in 1972. I went full-time at the Smithsonian in 1974. And I got my doctorate in 1975.
Do I want to spend my diminished working hours writing or answering email? Now I have somebody read through them. If someone has something really important to tell me I write back. Otherwise they get the auto reply.
The one thing which seems to me quite impossible is to take into consideration the kind of book one is expected to write; surely one can only write the book that is there to be written.
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