A Quote by Daniel Keyes
Here look at me. I'm Charlie, the son you wrote off the books? Not that I blame you for it, but here I am, all fixed up better than ever. Test me. Ask me questions. I speak twenty languages, living and dead; I'm a mathematical whiz, and I'm writing a piano concerto that will make them remember me long after I'm gone.
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Ever morning, until you dead in the ground, you gone have to make this decision. You gone have to ask yourself, "Am I gone believe what them fools say about me today?
Books help to form us. If you cut me open, you will find volume after volume, page after page, the contents of every one I have ever read, somehow transmuted and transformed into me just as my genes and the soul within me make me uniquely me, so I am the unique sum of the books I have read. I am my literary DNA.
It’s irrelevant to me what young Singaporeans think of me. What they think of me after I’m dead and gone in one generation will be determined by researchers who do PhDs on me, right? So there will be a lot of revisionism. As people revised Stalin, Brezhnev and one day now Yeltsin, and later on Putin. I’ve lived long enough to know that you may be idealised in life and reviled after you’re dead.
Remember me when I am gone away, Gone far away into the silent land; When you can no more hold me by the hand, Nor I half turn to go yet turning stay. Remember me when no more day by day You tell me of our future that you planned: Only remember me; you understand It will be late to counsel then or pray. Yet if you should forget me for a while And afterward remember, do not grieve: For if the darkness and corruption leave A vestige of the thoughts that once I had, Better by far you should forget and smile Than that you should remember and be sad.
No longer mourn for me when I am dead than you shall hear the surly sullen bell give warning to the world that I am fled from this vile world with vilest worms to dwell: nay, if you read this line, remember not the hand that writ it, for I love you so, that I in your sweet thoughts would be forgot, if thinking on me then should make you woe. O! if, I say, you look upon this verse when I perhaps compounded am with clay, do not so much as my poor name rehearse; but let your love even with my life decay; lest the wise world should look into your moan, and mock you with me after I am gone.
The dying boy said: " Father, don't you weep for me; when I get to heaven I will go straight to Jesus and tell Him that ever since I can remember you have tried to lead me to Him." I would rather have my children say that of me after I am gone; or if they die before me, I would rather they should take that message to the Master than to have a monument over me reaching to the skies.
I will always need my son, no matter what age I am. My son has made me laugh, made me proud, made me cry, seen me cry, hugged me tight, seen me fail, cheered me up, kept me on my toes, and at times driven me crazy, But my son is a promise that I will have a friend forever!
You must constantly ask yourself these questions: Who am I around? What are they doing to me? What have they got me reading? What have they got me saying? Where do they have me going? What do they have me thinking? And most important, what do they have me becoming? Then ask yourself the big question: Is that okay? Your life does not get better by chance, it gets better by change.
It is a rule of mine never to ask unsolicited questions of people over twenty-one. I am only giving them the option of lying if they choose to. They would tell me the truth without my asking if they wanted me to know. To me that's fair enough.
Dear Lord, make me a better parent. Teach me to understand my children, to listen patiently to what they have to say and to answer all their questions kindly. Keep me from interrupting them, talking back to them, and contradicting them. Make me as courteous to them as I would have them to be to me.
I don't speak out of place, but if you ask me, I will definitely speak the truth. Also, my opinion is my opinion. I don't feel the need to force anybody to agree or disagree with me. But if you ask me, I do feel it's important to speak with confidence about my feelings about whatever the questions are.
Just be careful. When we arrive at the house, you can’t look to me for help or instruction. Remember, I am your human subjugate. You keep me about you for blood—blood whenever you want it—and nothing else.” “So you’re not going to speak tonight,” Tessa said. “At all.” “Not unless you instruct me to,” said Will. “This evening sounds as if it might be better than I thought.
I am starting to realize that a lot of guys look up to me, ... Older guys, and even younger guys, are asking me questions and [they] ask me about how to handle situations. Im young, but that leadership role has been on me so I need to live up to it.
I always wrote. I wrote from when I was 12. That was therapeutic for me in those days. I wrote things to get them out of feeling them, and onto paper. So writing in a way saved me, kept me company. I did the traditional thing with falling in love with words, reading books and underlining lines I liked and words I didn't know.
Michel. In my dreams, you come and get me. You take me by the hand and you lead me away. This life is too much for me to bear. I look at the key and I long for you and for the past. For the innocent, easy days before the war. I know now my scars will never heal. I hope my son will forgive me. He will never know. No one will ever know.
Of course my books are translated into many languages. I have here, in my home, translations on my shelf of my books into forty-five different languages. Almost none of them I can read. I can read only the English editions. But, I know that a translation of a work of literature is like playing a violin concerto on the piano. You can do this. You can do this very successfully on one strict condition: never try to force the piano to produce the sounds of the violin. This will be grotesque. So, different musical instruments provide for different music.
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