A Quote by Daniel Walker Howe
Alexander von Humboldt’s wide-ranging Views of Nature is a masterpiece of nineteenth-century natural history, at once science and art. Mark W. Person’s stunning new translation makes the wonders of this classic accessible to the English-language world of the present.
Related Quotes
During the first half of the present century we had an Alexander von Humboldt, who was able to scan the scientific knowledge of his time in its details, and to bring it within one vast generalization. At the present juncture, it is obviously very doubtful whether this task could be accomplished in a similar way, even by a mind with gifts so peculiarly suited for the purpose as Humboldt's was, and if all his time and work were devoted to the purpose.
I came to Berlin not to visit its museums and galleries, its operas, its theaters... but for the sake of seeing and speaking with the world's greatest living man - Alexander von Humboldt.
[Alexander von Humboldt was the] greatest scientific traveller who ever lived.
General editors' preface The growth of translation studies as a separate discipline is a success story of the 1980s. The subject has developed in many parts of the world and is clearly destined to continue developing well into the twenty-first century. Translation studies brings together work in a wide variety of fields, including linguistics, literary study, history, anthropology, psychology, and economics. This series of books will reflect the breadth of work in translation studies and will enable readers to share in the exciting new developments that are taking place at the present time.
The nineteenth century was the last moment in history when a relatively educated layperson could follow what was going on in the world of science and invention to a wide degree. Also, there were no "professionals". This was a time when amateur explorers, naturalists and enthusiasts were are still making major contributions to progress.
The element of heroic maleness had always been present in the concept of the artist as one who rides the winged horse above the clouds beyond the sight of lesser men, a concept seldom applied to those who worked with colours until the nineteenth century. When the inevitable question is asked, "Why are there no great women artists?" it is this dimension of art that is implied. The askers know little of art, but they know the seven wonders of the painting world.
Many people do not know that Jesus did not speak Latin or English or Hebrew; he spoke Aramaic. But nobody knows that language. So we're talking about the Bible itself being a translation of a translation of a translation. And, in reality, it has affected people's lives in history.
It was a shock to people of the nineteenth century when they discovered, from observations science had made, that many features of the biological world could be ascribed to the elegant principle of natural selection.
Chicago's history is a classic American tale of reinvention, while its present is buzzy, chic and architecturally stunning.
What if criticism is a science as well as an art? Not a pure or exact science, of course, but these phrases belong to a nineteenth-century cosmology which is no longer with us.
Once we begin to speak of men mixing their labour with the earth, we are in a whole world of new relations between man and nature, and to separate natural history from social history becomes extremely problematic.
There was once a time when art history and film were basically the same medium, but art history is frozen in late-19th-century technology that has survived into the early 21st century.
There is an old Italian proverb about the nature of translation: "Traddutore, traditore!" This means simply, "Translators-traitors!" Of course, as you can see, something is lost in the translation of this pithy expression: there is great similarity in both the spelling and the pronunciation of the original saying, but these get diluted once they are put in English dress. Even the translation of this proverb illustrates its truth!
Modern political science started in the late nineteenth century as a branch of history.
This book is unique. I know of no other which so artfully tackles two of the greatest mysteries of modern science, quantum mechanics, and consciousness. It has long been suspected that these mysteries are somehow related: the authors’ treatment of this thorny and controversial issue is honest, wide-ranging, and immensely readable. The book contains some of the clearest expositions I have ever seen of the strange and paradoxical nature of the quantum world. Quantum Enigma is a pleasure to read, and I am sure it is destined to become a classic.
Grigsby's marvelous exploration-a deep, wide, and beautiful inquiry into Sojourner Truth's use of technology-features more of her photographs than have ever been collected before. Among its many insights, I especially relished the analysis of Truth's illiteracy. Enduring Truths is art history with a wide-ranging concept of history left in. A terrific book, and one we've needed for a long time.
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