A Quote by Danielle Macdonald

I've seen a bunch of movies about pageants, and I know in general how they work. — © Danielle Macdonald
I've seen a bunch of movies about pageants, and I know in general how they work.
All of my movies are about how I wish the world would work. I've made very few movies about how the world worked. I could name them on one and a half hands, about how my movies have been very reflective of how the world was exactly. A lot of my movies are really about the way I wish the world was, and that's what this whole art form is all about. It's an interpretive art form.
It doesn't matter how much you already know. It's about showing humility and a willingness to learn; not just in movies, but in life in general.
I just remember saying to myself that I'd much rather do movies than modeling, and that it was worth a try. I didn't really know anything about it. I hadn't seen many movies, or so-called, good movies. When I was a kid, I was obsessed with Star Wars and Night of the Living Dead. When I got more curious about the movies, I thought they were something you had to learn about and go to school for and read every book.
Well, I've seen a bunch of acupuncturists and one of my sister-in-laws is an herbalist. So I know a lot about alternative medicine. I don't know a lot about the practice but I know about the world.
Yeah, when you work with somebody that famous everybody wants to know what are they like or - but I know some of the movies that I know because they're more like NOBODY'S FOOL or like that, because I don't really watch the big R movies, I haven't really seen them so much. I loved him [Bruce Willis] from his TV show and some of the smaller movies he's done. The bigger movies I start to space out in, like, there just so, I don't really watch those kind of movies so much.
There are a bunch of different movies I feel that way about. However, there is a debate because as you may know after MST3K ended there have been things like Cinematic Titanic that are the children and the grandchildren of this way of dissecting movies and making fun of them and in a way celebrating the absurdity of those movies as well. There are certain movies that sort of fit into the MST3K paradigm which is hidden gems, these weird horror/sci-fi/fantasy movies.
Before I leave the earth, I'll have released a bunch of albums and a bunch of movies. I'm going to do it all. It's just that I have to strategically position myself on how I do it so that the world receives it.
I don't know how to choose work that illuminates what my life is about. I don't know what my life is about and don't examine it. My life will define itself as I live it. The movies will define themselves as I make them. As long as the theme is something I care about at the moment, it's enough for me to start work. Maybe work itself is what my life is about.
Maybe if I'd agreed to do the debutante thing like she wanted. Or taken up pageants instead of riding jump bikes with a bunch of grungy boys. I'd always tell her, why can't I do both? Who says you have to be either smart or pretty, or into girly stuff or sports? Life shouldn't be about the either/or. We're capable of more than that, you know?
You just never know with movies how they'll be seen in a few years. You have no idea. Like, movies that were super popular when they came out have been forgotten. And other movies - and I put 'Sarah Marshall' in this - kind of weirdly stand the test of time a little bit.
I've always seen making movies as a bunch of little births and deaths. We come in. We don't know anybody or very few people that we work with, but the nature of the job pulls us into a sort of an intimate kind of relationship and communication and then they're gone and it's kind of melancholy. You miss that guy but then suddenly you're working with him again maybe somewhere.
People come up to me on the street and say, 'Men at Work is the funniest movie I ever saw in my life'. But, you know, I do have to question how many movies these people have seen.
Everybody's complaining about all of Trump's cabinet members, how rich they are, that's horrible. I'd rather have that than a bunch of people in Obama's cabinet that have never spent a minute making a payroll, creating a job, or a service, or inventing a product. What the hell is there about academics from the faculty lounge who don't know what they're talking about other than theoretically. Why not have a bunch of people who have succeeded wildly, sharing what they know, implementing what they know nationwide? I would much rather have that.
I haven't seen Clones, which has been during this period when I haven't seen much of anything, but I did see Phantom Menace, and see my feelings about it - see, first of all, I think that when you make a lot of movies, your attitude about the movies changes.
For me, in general, it's always about the material. Obviously, it's about the material and hoping that someone wants to hire me for a job, too, but I've certainly seen films like 'Orphan' and movies like that where I know that if I had had the opportunity to read that script or had an opportunity to do it, I would have wanted to do it.
I'd seen all of John Hughes's movies. All the Spielberg stuff. A bunch of '80s horror, like 'Evil Dead.'
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