A Quote by Danny Boyle
We're trying to learn from [Olympic] Beijing, which could be very intimidating. We've learned to expect it's power, it majesty and that it completes a cycle of certain types of shows... I don't think any nation could do anything on that scale. We haven't got that money, and I don't think anybody would have the appetite for that kind of expenditure and that kind of control, so we're going to try and do something a bit more intimate and try and start again... start a new cycle for these kind of ceremonies.
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I see myself as a student. I would never call myself a master or a maestro. If you take the path of the student, that means you have to try a little bit of everything in hopes that you're going to learn something or strike some kind of new note, expression in the process. I'm not going for grades; I'm going for an education. I'm going to continue experimenting and trying new things to try to evolve and learn.
I believe in detox. I think detox is smart. You've got a guy who's in an opiate cycle or a dope cycle or something, and he can't get out of it. You shut him down long enough so at least his body can start working for itself again.
A certain kind of shittiness, a certain kind of stagnation, a certain kind of darkness, goes on propagating itself by its own power in its own self-contained cycle. And once it passes a certain point, no one can stop it-even if the person himself wants to stop it.
I think once you start as an announcer, you have to decide what kind of approach you're going to have. I decided very early that I was going to be a reporter, that I would not cheer for the team. I don't denigrate people who do it. It's fine. I think you just have to fit whatever kind of personality you have, and I think my nature was to be more down the middle and that's the way I conducted the broadcasts.
I was 21, and I was like, "Man, am I really gonna start over and try this whole thing over again? Do I want to start over and be in a rock band again and try to act like a 17-year-old for as long as I can?" Because that was what I was doing with Simon Dawes band. I decided that if I was going to go on playing music, I was going to try and work on it. So I got into Leonard Cohen and Will Oldham, guys that really inspired me not only as songwriters but also through their music as people, and that's kind of what the shift was for me.
I started to notice that simpleness is divine. I think we all start trying to use very complex harmonies and rhythms and all that because of a certain kind of ambition. But I was always trying to create something simple.
I think revolution is always a little bit possible. I think it won't look or sound anything like what we would expect. But I think revolution is very difficult, and I'm not optimistic for any kind of dramatic change.
Plants don't think. Animals are guided by the power of instinct over which they themselves have no control. Animals have a certain kind of brain that makes it impossible to learn anything except very simple things. No generation of animals ever learns anything from any previous generation. We act like animals when we fail to use this magnificent piece of equipment.
I don't think as a society, as a nation we would ever wear swastikas openly again, but aligning ourselves with the kind of rhetoric or the the the kind of language that's being used and ascribed to certain groups of people or certain religions can be repeated.
I try to be as disciplined as I possibly can. I try to live a fairly kind of clean life. I do yoga; I cycle and do weights and swim. I do whatever it takes.
I think I have a certain kind of style. I think at the same time, I'm aware that there's certain things that I did as a playwright in certain plays, and I try not to repeat myself, even though I have a certain kind of sensibility, and I tend to gravitate toward certain things.
I'm kind of calling for a - I'm not the only one - you know, a revolution of some kind where we try to take back the web or start something new because, you know, the dominant medium of our time is in a desperate state and it doesn't have to be like that.
I don't think all films should necessarily look like they do on digital video. I think it cheats the audience, at some point. If you try to make an epic and you shoot it digitally, that doesn't make much sense. I think there's a certain kind of film that could be a "digital film." But it shouldn't be interchangeable with other films. It should be something more than just a capture medium. It should be a different form altogether, something new.
I think I realize now I was really, really scared to express myself through fashion or certain music or certain TV shows. I was petrified that anyone would ever think I was gay god forbid, and so, once I got over that I kind of could just let myself be.
I typically try not to think too hard about what I'm going to do in a certain scene with a certain actor in a certain moment because I think that kind of lends its way to not being as improvisational and sort of carefree as one would hope.
It's kind of a test, Mary, and it's the only kind that amounts to anything. When something rotten like this happens, then you have your choice. You start to really be alive, or you start to die. That's all.
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