A Quote by Danny Boyle
To be a film-maker, you have to lead. You have to be psychotic in your desire to do something. People always like the easy route. You have to push very hard to get something unusual, something different.
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If you look at the films that I've done generally, you would probably get an idea of what I'm most interested in, and if ever I do something unusual like a science fiction film or an action film or a comedy or something, then that to me feels like a step to the side to do something different.
I always like to do something different, something unusual, stray off the path a bit.
It's far easier to write why something is terrible than why it's good. If you're reviewing a film and you decide "This is a movie I don't like," basically you can take every element of the film and find the obvious flaw, or argue that it seems ridiculous, or like a parody of itself, or that it's not as good as something similar that was done in a previous film. What's hard to do is describe why you like something. Because ultimately, the reason things move people is very amorphous. You can be cerebral about things you hate, but most of the things you like tend to be very emotive.
I'm not trying to be self-serving, but you know, you get to Hollywood, and if you want to make something big and loud and dumb, it's pretty easy. It's very hard to go down there and make a film like 'Sideways,' which I thought was a great film. They don't want to make films like that anymore, even though that film was very successful.
With guitar riffs, we always look for something that 's a little bit special. We've always found that it is harder to come up with something that's nice and simple without getting something that's hard but easy.
It's always scary when you're doing a sequel to a film, because you don't want to just repeat the first film in a different location like most sequels. You want to do something totally different, and something that actually expands the world of the main character.
It's always been important to us to be original, which sounds really easy when you say it. Everyone says it all the time, but it's actually not that easy to be original. It's also something scary because if you're doing stuff that doesn't sound like anything else, I think a lot of people get scared of that. A lot of people tend to follow instead, they wait for something else to do something new and then they follow that. We just don't like to do that.
I do music mainly just for myself in the beginning, and of course it's great when I get a reaction, but I'm more interested in hearing something unusual to my ears, and that's what I'm also looking for in other people's music. It's not interesting to look for a sound that is made to make everyone on the planet move - I wanna have both, I want something danceable but very creative and unusual.
I made my first film when I was 35, so I firmly believe that you don't have to be one thing in life. If you're doing something, and you have a desire to do something different, give it a try.
I don't like things that are obvious and so I always try to introduce something that is wrong, something that is different. Just
beauty by itself is too easy.
The two impulses in travel are to get away from home, and the other is to pursue something - a landscape, people, an exotic place. Certainly finding a place that you like or discovering something unusual is a very sustaining thing in travel.
It is no easy task to walk this earth and find peace. Inside of us, it would seem, something is at odds with the very rhythm of things and we are forever restless, dissatisfied, frustrated, and aching. We are so overcharged with desire that it is hard to come to simple rest. Desire is always stronger than satisfaction.
I always like to make people happy, make them have a good time. It's pretty obvious if the room is dead - if no one is cheering or singing or whatever, there's obviously something wrong. I always try to look for euphoric feelings, things people are excited that they're hearing, and then I build from there. It's hard to explain, actually. When I'm in the mood, I just feel it. Now they need something with vocals, now they need something hard, something soft.
Black people loving and losing is something we don’t see enough of. We’re always in these heightened situations like something big is happening, something funny or something violent. And you know what? Sometimes we die of breast cancer or a broken heart. Things happen that are just not being explored cinematically. It’s time we reinvigorated that type of film.
It's very hard to impose your beliefs or a specific message about any given movie. I think that audiences always extract what they want from a film even if something isn't overtly political. They may or may not get it, and it's hard to control that.
The biggest misconception about me is perhaps that I film all the time and film everything randomly. The truth is I film very little and always when something excites me and seems to mean something for the film.
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