A Quote by Danny Boyle
Movies about space raise those questions of what we're doing here, and that inevitably introduces a spiritual dimension.
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If you don't put the spiritual and religious dimension into our political conversation, you won't be asking the really big and important question. If you don't bring in values and religion, you'll be asking superficial questions. What is life all about? What is our relationship to God? These are the important questions. What is our obligation to one another and community? If we don't ask those questions, the residual questions that we're asking aren't as interesting.
From a mathematical standpoint it is possible to have infinite space. In a mathematical sense space is manifoldness, or combinations of numbers. Physical space is known as the 3-dimension system. There is the 4-dimension system, the 10-dimension system.
I like films that deal with some of those questions that you can never answer: 'Why are we here? What's it about? What happens to us with the choices that we make? What are the ramifications for doing something right, or doing something wrong?' Those universal questions, I enjoy.
I like films that deal with some of those questions that you can never answer. Why are we here? What's it about? What happens to us with the choices that we make? What are the ramifications for doing something right, or doing something wrong? Those universal questions, I enjoy.
I guess I was just always one of those guys who asked those fundamental questions: 'Who am I? What's this for? Why? What does this mean? Is this real?' All these pretty basic questions. I like making movies about people who are self-conscious in that way, and are trying to feel their way through the world.
If there is any one truth from the legacy of the Cayce readings, it would be that there is a spiritual dimension to humans, something beyond time and space.
Space has always been the spiritual dimension of architecture. It is not the physical statement of the structure so much as what it contains that moves us.
I gravitate toward the larger worldview questions such as, Why are we here? What are we supposed to be doing? What does it mean to know another person? To love someone? Of course, those questions are sort of in the background as I'm playing with language in the foreground, but those are the informing questions.
The Hubble Space Telescope is more than remarkable. It has answered just so many of those fundamental questions that people have been asking about the cosmos since people were able to ask questions.
The intellectual tension that seems to work its way through this society almost like fat through meat is the tension between scientific reductionism and the deeply felt intuition of most people that there is a spiritual dimension, or a hidden dimension, or a transcendental dimension.
Space, space: architects always talk about space! But creating a space is not automatically doing architecture. With the same space, you can make a masterpiece or cause a disaster.
I want viewers want to talk about The Conquest. I want the dialogue to start after the movie. The cinema is there to leave a trace. I hope my film leaves a trace and that it will open a door for French cinema and that tomorrow other directors will make political movies. The job of a filmmaker today is to talk about the world surrounding him and, through his movies, to both entertain and raise questions about modern society.
The great philosophers of the 17th and 18th centuries did not think that epistemological questions floated free of questions about how the mind works. Those philosophers took a stand on all sorts of questions which nowadays we would classify as questions of psychology, and their views about psychological questions shaped their views about epistemology, as well they should have.
All of the larger than life questions about our presence here on earth and what gifts we have to offer are spiritual questions. To seek answers to these questions is to seek a sacred path.
I just always remember myself as the teenager with questions about movies and screenwriting. I would hope that there was somebody out there who would answer those questions, and so, if I can take a few minutes to do it, I will. It's not threatening for us. We're not being stalked, so it's easier.
I'm always trying to make movies that are better than the ones that we've made before. We don't always succeed at doing that by any means, but we're always trying to raise the stakes, raise the bar, make the movies better, and that's hard.
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